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03281aam a2200457Ii 4500 001 DE59AD04EE0211ECABFB385646ECA4DB 003 SILO 005 20220617010046 008 211008s2022 ne a b 001 0 eng d 020 $a 9462987149 020 $a 9789462987142 035 $a (OCoLC)1273913860 040 $a YDX $b eng $e rda $c YDX $d BDX $d ERASA $d YDX $d OCLCF $d OCLCO $d SYB $d NUI $d SILO 041 0 $a eng $b eng 050 4 $a PN1995 $b .O25 2022 082 04 $a 791.4301 $2 23 100 1 $a Odin, Roger, $e author. 245 10 $a Spaces of communication : $b elements of semio-pragmatics / $c Roger Odin ; with an introduction by Vinzenz Hediger. 264 1 $a Amsterdam : $b Amsterdam University Press, $c 2022. 300 $a 175 pages, 3 unnumbered pages : $b illustrations ; $c 25 cm. 490 1 $a Film theory in media history 540 $a "Creative Commons License CC BY NC ND ( http://creativecommons.org/licenses/by-nc-nd/3.0 )"--Page 4. 520 3 $a "Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer's engagement with the film. A response to an impasse in post-1968 film semiotics and semio-psychoanalytical approaches to film spectatorship, semio-pragmatics contributed significantly to the further development of film studies alongside such approaches as Cultural Studies, neo-formalism, historical reception studies and the phenomenology of film. At the same time, by expanding the scope of inquiry beyond the dispositive of cinema from the outset to include home movies and mobile phone films, semio-pragmatics defined film studies as a field rather than a discipline exclusively focused on the cinephile canon, thus anticipating the current shape of that field by more than two decades."--"Abstract" of the introduction by Hediger, page 11. 520 8 $a "Spaces of Communication" offers a concise introduction to semio-pragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It is a book which testifies to the author's deep and rich intellectual engagement with a vast array of objects ranging from the classics of the cinephile canon to television news programs, home movies and mobile phone films. 500 $a "Les espaces de communication ©2011 ... translation: CiaraÌn FaolaÌin."--Page 4. 504 $a Includes bibliographical references (pages 165-172) and index. 650 0 $a Film criticism. 650 0 $a Motion picture audiences. 650 0 $a Pragmatics. 650 0 $a Context (Linguistics) 650 0 $a Communication. 650 0 $a Semiotics. 650 7 $a Film criticism. $2 fast $0 (OCoLC)fst00924259 650 7 $a Motion picture audiences. $2 fast $0 (OCoLC)fst01027116 650 7 $a Pragmatics. $2 fast $0 (OCoLC)fst01074579 700 1 $a Hediger, Vinzenz, $d 1969- $e author of introduction. 700 1 $a FaolaÌin, CiaraÌn, $e translator. 830 0 $a Film theory in media history. 941 $a 1 952 $l OVUX522 $d 20231117024236.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DE59AD04EE0211ECABFB385646ECA4DBInitiate Another SILO Locator Search