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03834aam a2200433 i 4500 001 D987F5D496FD11ED8856CD373CECA4DB 003 SILO 005 20230118010046 008 220429t20222022be ac b 001 0deng d 020 $a 2503594751 020 $a 9782503594750 035 $a (OCoLC)1317681027 040 $a ERASA $b eng $e rda $c ERASA $d ISB $d OCLCF $d YDX $d IND $d JPG $d JHE $d QGJ $d SILO 050 4 $a ND623.P62 $b L53 2022 082 04 $a 709.945 100 1 $a Libina, Marsha, $e author. $4 aut 245 10 $a Sebastiano del Piombo and the sacred image : $b mediating the divine in the age of reform / $c Marsha Libina. 264 1 $a Turnhout : $b Brepols, $c [2022] 300 $a 266 pages : $b color illustrations, portraits ; $c 29 cm. 490 1 $a Arts and the sacred 504 $a Includes bibliographical references and index. 505 00 $g Conclusion: $t Mediated truths after the council of Trent $t Picturing time and eternity -- $t Mediation and scripture's interpreters -- $t Imitatio Christi and the internal image -- $t The holy face and the face of art -- $g Conclusion: $t Mediated truths after the council of Trent 520 3 $a "On account of the artists' collaborative practice, Sebastiano del Piombo's oeuvre is often misconstrued as a coloristic supplement to Michelangelo's 'disegno' or as a mere extension of the older master's drawings and ideas. Marsha Libina's book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485-1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating new ways of understanding Sebastiano's interest in soliciting Michelangelo's drawings as catalysts of invention, Libina tells the story of a collaboration driven neither by a compliant imitation of Michelangelo nor the reconciliation of opposing regional styles but, rather, by an interest in hermeneutically productive difference - generating complementary yet divergent approaches to art as a vehicle of reform. This volume presents an in-depth exploration of how Sebastiano's experiments with the sacred image - like Michelangelo's - were formulated in response to the early years of Catholic reform. The years preceding the Council of Trent saw the rise of divisive investigations into the repercussions of an increasingly mediated knowledge of the divine. Libina reveals how these concerns converge in Sebastiano's new language of devotional painting, which embraces an aesthetic of figural stillness, isolation and psychological detachment. At a moment when religious debates and questions about the role of image-based devotion took center stage, Sebastiano's work offered a reflection on what it meant to view and meditate on the body of Christ in the Renaissance altarpiece."-- $c Provided by publisher. 600 00 $a Sebastiano, $c del Piombo, $d 1485-1547 $x Criticism and interpretation. 600 00 $a Michelangelo Buonarroti, $d 1475-1564 $x Influence. 630 00 $a Christian art. 600 07 $a Michelangelo Buonarroti, $d 1475-1564. $2 fast $0 (OCoLC)fst00064395 600 07 $a Sebastiano, $c del Piombo, $d 1485-1547. $2 fast $0 (OCoLC)fst00058124 630 07 $a Christian art. $2 fast $0 (OCoLC)fst01778779 650 0 $a Counter-Reformation and art. 650 7 $a Counter-Reformation and art. $2 fast $0 (OCoLC)fst01938331 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 0 $a Sebastiano, $c del Piombo, $d 1485-1547. 700 0 $a Michelangelo Buonarroti, $d 1475-1564. 830 0 $a Arts and the sacred (Series) 941 $a 1 952 $l OVUX522 $d 20231117031057.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D987F5D496FD11ED8856CD373CECA4DBInitiate Another SILO Locator Search