116 records matched your query
05977aam a2200589 i 4500 001 DCD9FCDA1E3F11EAA58222FC96128E48 003 SILO 005 20191214010106 008 181119t20192019nyua b 001 0 eng c 010 $a 2018026325 020 $a 0190913045 020 $a 9780190913045 035 $a (OCoLC)1076439746 035 $a (OCoLC)1048941664 040 $a PUL $b eng $e rda $c PUL $d UKMGB $d OCLCF $d ERASA $d YDX $d OCLCO $d ZCU $d HDC $d VT2 $d NUI $d UtOrBLW $d SILO 042 $a pcc 043 $a e-uk-en $0 http://id.loc.gov/vocabulary/geographicAreas/e-uk-en 050 00 $a PR858.P75 $b K85 2019 082 00 $a 823/.509 $2 23 100 1 $a Kukkonen, Karin, $d 1980- $e editor. $0 http://id.loc.gov/authorities/names/n2011015230 245 10 $a 4E cognition and eighteenth-century fiction : $b how the novel found its feet / $c Karin Kukkonen (University of Oslo). 246 3 $a 4E cognition and 18th-century poetics 246 3 $a How the novel found its feet 264 1 $a New York, NY : $b Oxford University Press, $c [2019] 300 $a vi, 253 pages : $b illustrations ; $c 25 cm. 490 1 $a Cognition and poetics 504 $a Includes bibliographical references (pages 233-247) and index. 505 0 $a Introduction: how the novel found its feet -- The curse of realism -- Haywood: shaping a fictional language of embodiment -- Lennox: repertoires of embodiment -- Fielding: a lifeworld of books -- Burney: writing life and fiction -- The novel as a lifeworld technology. 520 $a " When the novel broke into cultural prominence in the eighteenth century, it became notorious for the gripping, immersive style of its narratives. In this book, Karin Kukkonen explores this phenomenon through the embodied style in Eliza Haywood's flamboyant amatory fiction, Charlotte Lennox's work as a cultural broker between Britain and France, Sarah Fielding's experimental novels, and Frances Burney'' practice of life--writing and fiction-writing. Four female authors who are often written out of the history of the genre are here foregrounded in a critical account that emphasizes the importance of engaging readers' minds and bodies, and which invites us to revisit our understanding of the rise of the modern novel. Kukkonen's innovative theoretical approach is based on the approach of 4E cognition, which views thinking as profoundly embodied and embedded in social and material contexts, extending into technologies and material devices (such as a pen), and enactive in the inherent links between perceiving the world and moving around in it. 4E Cognition and Eighteenth-Century Fiction investigates the eighteenth-century novel through each of these trajectories and shows how language explores its embodied dimension by increasing the descriptions of inner perception, or the bodily gestures around spoken dialogue. The embodied dimension is then related to the media ecologies of letter-writing, book learning, and theatricality. As the novel feeds off and into these social and material contexts, it comes into its own as a lifeworld technology that might not answer to standards of nineteenth-century realism but that feels 'real' because it is integrated into the lifeworld and embodied experiences. 4E cognition answers one of the central challenges to cognitive literary studies: how to integrate historical and cultural contexts into cognitive approaches. "-- $c Provided by publisher. 520 $a "When the novel broke into cultural prominence in the eighteenth century, it was notorious for the gripping, immersive style of its narratives and this remains a signal feature of the genre until our days. My book shows how this embodied style developed in eighteenth-century writing through Eliza Haywood's flamboyant amatory fiction, Charlotte Lennox's work as a cultural broker between Britain and France, Sarah Fielding's experimental novels and Frances Burney's crossings between life-writing and fiction-writing. Four female authors that are often written out of the history of the genre are brought forward in a critical account that underlines the importance of engaging readers' mind and bodies and that invites us to revisit standard narratives of the rise of the novel"-- $c Provided by publisher. 650 0 $a English fiction $y 18th century $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008103099 650 0 $a Psychology and literature $x History $y 18th century. 650 0 $a Cognition in literature. $0 http://id.loc.gov/authorities/subjects/sh94003685 650 0 $a Perception in literature. $0 http://id.loc.gov/authorities/subjects/sh94007568 650 0 $a Reality in literature. $0 http://id.loc.gov/authorities/subjects/sh85111774 650 0 $a Narration (Rhetoric) $x History $y 18th century. $0 http://id.loc.gov/authorities/subjects/sh2008108204 650 0 $a English literature $x History and criticism. $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008103144 650 7 $a Cognition in literature. $2 fast $0 (OCoLC)fst00866515 650 7 $a English fiction. $2 fast $0 (OCoLC)fst00910817 650 7 $a English literature $x Women authors. $2 fast $0 (OCoLC)fst00912218 650 7 $a Narration (Rhetoric) $2 fast $0 (OCoLC)fst01032927 650 7 $a Perception in literature. $2 fast $0 (OCoLC)fst01057645 650 7 $a Psychology and literature. $2 fast $0 (OCoLC)fst01081551 650 7 $a Reality in literature. $2 fast $0 (OCoLC)fst01091250 648 7 $a 1700-1799 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 776 08 $i Online version: $a Kukkonen, Karin, 1980- editor. $t Cognition and poetics $d New York : Oxford University Press, 2019 $z 9780190913052 $w (DLC) 2018056305 830 0 $a Cognition and poetics. $0 http://id.loc.gov/authorities/names/no2016120498 941 $a 1 952 $l OVUX522 $d 20191214023349.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DCD9FCDA1E3F11EAA58222FC96128E48Initiate Another SILO Locator Search