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03076aam a2200457Ii 4500 001 F03848B4101A11EA8DA14E4D97128E48 003 SILO 005 20191126010151 008 180628t20182018sz g b 001 0 eng d 010 $a 2018949319 020 $a 9783319967424 020 $a 3319967428 035 $a (OCoLC)1042076176 040 $a YDX $b eng $e rda $c YDX $d NYP $d BDX $d WAU $d EAU $d OCLCF $d UKMGB $d TXM $d CHVBK $d UtOrBLW $d SILO 050 14 $a PN1995.9.P42 $b C66 2018 050 4 $a PN1995.9.A8 050 4 $a PN1990-1997 082 04 $a 302.2343 $2 23 082 04 $a 791 100 1 $a Comanducci, Carlo, $e author. $0 http://id.loc.gov/authorities/names/no2019018386 245 10 $a Spectatorship and film theory : $b the wayward spectator / $c Carlo Comanducci. 246 30 $a Wayward spectator 264 1 $a Cham, Switzerland : $b Palgrave Macmillan, $c [2018] 300 $a vii, 208 pages ; $c 22 cm 504 $a Includes bibliographical references and index. 505 0 $a 1. Introduction: Film Theory, a Divided Passion? -- 2. The Heteronomy of Subjectivity and the Spectator's Emancipation -- 3. Everyday Film Theory -- 4. Situatedness and Contingency of Film Experience -- 5. The Process of Free Association and Film as an Evocative Object -- 6. The Indeterminacy of Embodiment -- 7. The Spectator as a History of Encounters -- Index. 520 8 $a This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques RancieÌre's emancipated spectator with Judith's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions, a wayward history of encounters. 650 0 $a Motion pictures $x Philosophy. $0 http://id.loc.gov/authorities/subjects/sh2008108033 650 0 $a Motion picture audiences $x Psychology. $0 http://id.loc.gov/authorities/subjects/sh2010102462 650 0 $a Subjectivity in motion pictures. $0 http://id.loc.gov/authorities/subjects/sh2001005702 650 7 $a Motion picture audiences $x Psychology. $2 fast $0 (OCoLC)fst01027120 650 7 $a Motion pictures $x Philosophy. $2 fast $0 (OCoLC)fst01027348 650 7 $a Subjectivity in motion pictures. $2 fast $0 (OCoLC)fst01136580 650 7 $a Erleben. $0 (DE-588)4134678-6 $2 gnd 650 7 $a Film. $0 (DE-588)4017102-4 $2 gnd 650 7 $a Filmtheorie. $0 (DE-588)4071216-3 $2 gnd 650 7 $a Zuschauer. $0 (DE-588)4127324-2 $2 gnd 776 08 $i ebook version : $z 9783319967431 941 $a 1 952 $l OVUX522 $d 20191126021010.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F03848B4101A11EA8DA14E4D97128E48Initiate Another SILO Locator Search