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03714aam a2200517 i 4500 001 9932FFF8F5D411E7B33F7C0497128E48 003 SILO 005 20180110010212 008 170110t20172017enka b 001 0 eng 010 $a 2016044831 020 $a 1784785202 020 $a 9781784785208 020 $a 1784785199 020 $a 9781784785192 035 $a (OCoLC)947796387 040 $a DLC $b eng $e rda $c DLC $d BTCTA $d BDX $d NLE $d SINLB $d NYP $d OCLCF $d OCLCO $d YDX $d YDX $d UtOrBLW $d SILO 042 $a pcc 043 $a a-cc--- $0 http://id.loc.gov/vocabulary/geographicAreas/a-cc 050 00 $a DS778.7 $b .P37 2017 082 00 $a 306.4/7095109047 $2 23 084 $a POL038000 $a POL038000 $2 bisacsh 100 1 $a Pang, Laikwan, $e author. $0 http://id.loc.gov/authorities/names/n2002054975 245 14 $a The art of cloning : $b creative production during China's Cultural Revolution / $c Pang Laikwan. 264 1 $a London ; $b Verso, $c 2017. 300 $a xii, 308 pages ; $c 24 cm 520 2 $a "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an identical fashion. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, this was a monotonous world, full of repetitions and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, travelled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. However, it was far from boring, and filled with its own kind of diversity"-- $c Provided by publisher. 505 0 $a I: Art, Politics, and Economics -- Maoist Aesthetics -- Production and Circulation of Literature under the Revolutionary Cultural Economy -- II: A Culture of Models and Copies -- Art and the Culture of Models and Copies -- Barefoot Doctors and Femininity -- Opera and Transplantation between Cultures -- Ballet across Genres and Forms -- Mao as Doxa -- Intellectuals as Ghosts -- Chinese Glossary. 504 $a Includes bibliographical references (pages 247-291) and index. 611 27 $a Cultural Revolution (China : 1966-1976) $2 fast $0 (OCoLC)fst01352662 651 0 $a China $x History $y Cultural Revolution, 1966-1976. $0 http://id.loc.gov/authorities/subjects/sh85024126 651 0 $a China $x Intellectual life $y 1949-1976. $0 http://id.loc.gov/authorities/subjects/sh85024146 650 0 $a Arts $x History $z China $x History $y 20th century. 650 0 $a Autonomy $x History $z China $x History $y 20th century. 650 0 $a Conformity $x History $z China $x History $y 20th century. 650 0 $a Cultural pluralism $z China $x History $y 20th century. 650 7 $a HISTORY / Asia / China. $2 bisacsh 650 7 $a POLITICAL SCIENCE / Public Policy / Cultural Policy. $2 bisacsh 650 7 $a Arts $x Political aspects. $2 fast $0 (OCoLC)fst00817791 650 7 $a Creative ability. $2 fast $0 (OCoLC)fst00882417 650 7 $a Cultural industries. $2 fast $0 (OCoLC)fst00885002 651 7 $a China. $2 fast $0 (OCoLC)fst01206073 648 7 $a 1900-1999 $2 fast 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 941 $a 1 952 $l OVUX522 $d 20191217031446.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9932FFF8F5D411E7B33F7C0497128E48Initiate Another SILO Locator Search