The Locator -- [(subject = "Arts and society")]

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03291aam a2200421 i 4500
001 956E25EA851711EEB4A9908744ECA4DB
003 SILO
005 20231117010120
008 220828s2023    cau      b    001 0 eng c
010    $a 2022041088
020    $a 1503635821
020    $a 9781503635821
020    $a 150363535X
020    $a 9781503635357
035    $a (OCoLC)1336702169
040    $a CSt/DLC $b eng $e rda $c DLC $d OCLCF $d SILO
042    $a pcc
050 00 $a NX180.S6 $b G5325 2023
082 00 $a 700.1/03 $2 23/eng/20220830
100 1  $a Giuffre, Katherine, $d 1962- $e author.
245 10 $a Outrage : $b the arts and the creation of modernity / $c Katherine Giuffre.
264  1 $a Stanford, California : $b Stanford University Press, $c [2023]
300    $a vii, 200 pages ; $c 24 cm
504    $a Includes bibliographical references and index.
505 0  $a Symbolic warfare in the field of culture -- "A morbid love of the coarse, not to say brutal" : the novels of the Bronte˜ sisters -- "The summit of vulgarity" : the paintings of the Impressionists -- "An eccentric, dreamy, half-educated recluse" : the poetry of Emily Dickinson -- "Delirious cocksuckers" : Le sacre du printemps and the Ballets Russes -- "Damnable, hellish filth from the gutter of a human mind" : James Joyce's Ulysses -- "No theme, no message, no thought" : Zora Neale Hurston's Their eyes were watching God -- A permanent revolution.
520    $a "A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the BronteÍı sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, The Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neal Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics"-- $c Provided by publisher.
650  0 $a Arts and society $x History $y 19th century.
650  0 $a Arts and society $x History $y 20th century.
650  0 $a Arts, Modern $y 19th century.
650  0 $a Arts, Modern $y 20th century.
650  7 $a Arts and society. $2 fast $0 (OCoLC)fst00817856
650  7 $a Arts, Modern. $2 fast $0 (OCoLC)fst00818137
648  7 $a 1800-1999 $2 fast
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
776 08 $i Online version: $a Giuffre, Katherinen, 1962- $t Outrage. $d Stanford, California : Stanford University Press, 2023 $z 9781503635838 $w (DLC)  2022041089
941    $a 1
952    $l OVUX522 $d 20231117023907.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=956E25EA851711EEB4A9908744ECA4DB

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