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03356aam a2200421 i 4500 001 DAE57890065511E8AD8CF06897128E48 003 SILO 005 20180131010242 008 161126t20172017ncuaf b 001 0 eng c 010 $a 2016053082 020 $a 0822369818 020 $a 9780822369813 020 $a 0822369540 020 $a 9780822369547 035 $a (OCoLC)954426051 040 $a NcD/DLC $b eng $e rda $c NDD $d DLC $d YDXCP $d BTCTA $d BDX $d OCLCO $d OCLCQ $d ERASA $d OCLCQ $d YDX $d SILO 042 $a pcc 043 $a e------ 050 00 $a N6538.A4 $b H678 2017 082 00 $a 704.03/974 $2 23 100 1 $a Horton, Jessica L., $e author. 245 10 $a Art for an undivided earth : $b the American Indian Movement generation / $c Jessica L. Horton. 264 1 $a Durham : $b Duke University Press, $c 2017. 300 $a xv, 296 pages, 32 unnumbered pages of plates ; $c 23 cm. 490 1 $a Art history publication initiative 505 0 $a The word for world and the word for history are the same: Jimmie Durham, the American Indian Movement, and spatial thinking -- Now that we are Christians we dance for ceremony: James Luna, performing props, and sacred space -- They sent me way out in the foreign country and told me to forget it: Fred Kabotie, Dance memories, and the 1932 U.S. pavilion of the Venice Biennale -- Dance is the one activity that I know of when virtual strangers can embrace: Kay Walkingstick, creative kinship, and Art history's tangled legs -- They advanced to the portraits of their friends and offered them their hands: Robert Houle, Ojibwa tableaux vivants, and transcultural materialism -- Traveling with stones. 504 $a Includes bibliographical references and index. 520 8 $a Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world-an undivided earth. 610 20 $a American Indian Movement $x Influence. 650 0 $a Indian art $z Europe $x History $y 20th century. 650 0 $a Indian artists $x History $z Europe $x History $y 20th century. 776 08 $i Online version: $a Horton, Jessica L. $t Art for an undivided earth. $d Durham : Duke University Press, 2017 $z 9780822372790 $w (DLC) 2017000497 830 0 $a Art history publication initiative. 941 $a 3 952 $l OVUX522 $d 20191213012104.0 952 $l PMAX975 $d 20191119044730.0 952 $l SOAX911 $d 20180821010521.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DAE57890065511E8AD8CF06897128E48Initiate Another SILO Locator Search