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03677aam a2200541 i 4500 001 190447B4253111EE91433F782CECA4DB 003 SILO 005 20230718010455 008 211225t20222022enka b 000 0 eng d 020 $a 9781527578227 020 $a 1527578224 035 $a (OCoLC)1290014430 040 $a YDX $b eng $e rda $c YDX $d YDX $d CDX $d OCLCO $d EAU $d NYP $d OCLCO $d OCLCF $d OWS $d MNN $d SILO 043 $a ncnq--- 050 4 $a F1523.8 $b .G84 2022 082 04 $a 972.8505/2 $2 23 100 1 $a Guevara, Alberto, $d 1964- $e author. 245 10 $a Theatres of rebellion in Nicaragua : $b from the colony to the Sandinista Revolution / $c by Alberto Guevara. 246 3 $a Theaters of rebellion in Nicaragua 264 1 $a Newcastle upon Tyne : $b Cambridge Scholars Publishing, $c 2022. 300 $a xviii, 132 pages : $b illustrations ; $c 22 cm 504 $a Includes bibliographical references (pages [125]-130). 505 0 $a Prologue: ghosts of revolution and theatre -- Introduction: theatrical imaginary as a tactic to history -- The theatrics of colonial power and the theatre of revolt -- Rituals and masks: a presentational remnant of a performance of El GuÂeguÂense -- War and theatre de Guerrillas: Somoza and Sandino -- Insurrectionary theatre: dictatorship, theatrics, and revolution -- Theatre in revolution: a theatre and cultural renascence -- Reverse performances and the ghosts of revolution -- Conclusion: the beginning/end of reflection. 520 $a "This book examines the critical connection between revolts and revolutions to larger notions of social and cultural performances in Nicaraguan social, cultural and political life. To understand social relations in Nicaragua today, it is crucial to look at those highly theatricalized and rhetorical performances of power and resistance that have spanned specific national spaces for centuries. The book looks, therefore, at the history of Nicaragua from the colonial period to the Sandinista Revolution to frame contingent and temporal social and cultural processes that have become heightened and revealing of the social relations in revolution. The contemporary staging of the ancient El Gueguense play, for instance, illustrates a social space that reveals contemporary issues of oppression and power. Tapping into the spirit of self-consciousness, reflexivity, and narrational disruptions, the book uses the conventions of theatre such as audience and actor relations to make available to readers the theatrical intimacy of interlocutors and researcher." -- back cover. 651 0 $a Nicaragua $x Civilization. 650 0 $a Revolutions $z Nicaragua. 650 0 $a Art and revolutions $z Nicaragua. 650 0 $a Art $x Political aspects $z Nicaragua. 651 0 $a Nicaragua $x History. 650 6 $a Revolutions $z Nicaragua. 650 6 $a Art et revolutions $z Nicaragua. 650 6 $a Art $x Aspect politique $z Nicaragua. 650 7 $a Art and revolutions. $2 fast $0 (OCoLC)fst00815428 650 7 $a Art $x Political aspects. $2 fast $0 (OCoLC)fst00815309 650 7 $a Civilization. $2 fast $0 (OCoLC)fst00862898 650 7 $a Revolutions. $2 fast $0 (OCoLC)fst01096737 651 7 $a Nicaragua. $2 fast $0 (OCoLC)fst01228307 655 7 $a works of art. $2 aat 655 7 $a Art. $2 fast $0 (OCoLC)fst01423702 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 655 7 $a Informational works. $2 fast $0 (OCoLC)fst01919930 655 7 $a Informational works. $2 lcgft 655 7 $a Art. $2 lcgft 655 7 $a Documents d'information. $2 rvmgf 655 7 $a ¿uvres d'art. $2 rvmgf 941 $a 1 952 $l OVUX522 $d 20231117014552.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=190447B4253111EE91433F782CECA4DBInitiate Another SILO Locator Search