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03443aam a22004098i 4500 001 CD6B82001E3F11EAA58222FC96128E48 003 SILO 005 20191214010106 008 190203s2019 enk b 001 0 eng c 010 $a 2018058226 020 $a 0415854504 020 $a 9780415854504 035 $a (OCoLC)1088602808 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d UtOrBLW $d SILO 042 $a pcc 050 00 $a PN2049 $b .F75 2019 082 00 $a 792 $2 23 100 1 $a Frieze, James, $d 1967- $e author. $0 http://id.loc.gov/authorities/names/n2009066021 245 10 $a Theatrical performance and the forensic turn / $c James Frieze. 263 $a 1905 264 1 $a Abingdon, Oxon ; $b Routledge, $c 2019. 300 $a pages cm. 490 1 $a Routledge advances in theatre and performance studies 520 $a "Contemporary theatre, like so much of contemporary life, is obsessed with the ways of which information is detected, packaged and circulated. Running through forms as diverse as neo-naturalistic playwriting, intimately immersive theatre, verbatim drama, intermedial performance, and musical theatre, a common thread can be observed: theatre-makers have moved away from assertions of what is true and focused on questions about how truth is framed. Commentators in various disciplines, including education, fine art, journalism, medicine, cultural studies, and law, have identified a 'forensic turn' in culture. The crucial role played by theatrical and performative techniques in fuelling this forensic turn has frequently been mentioned, but never examined in detail. Political and poetic, Theatrical Performance and the Forensic Turn is the first account of the relationship between theatrical and forensic aesthetics. Exploring a rich variety of works that interrogate and resist the forensic turn, this is a must-read not only for scholars of theatre and performance, but of culture across the arts, sciences and social sciences"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction : theatrical performance in the forensic turn -- Data chaos and the verification void -- I'm seen therefore I am : romance in the forensic turn -- The hypothetical real vs. the interiority illusion -- Life throes : the strange case of the diehard corpse -- Undead domesticity : naturalism and home in the forensic turn -- Open dialogue as prefigurative performance : re-assembling the forum (part I) -- Effects of infinity : re-assembling the forum (part II). 650 0 $a Theater and society. $0 http://id.loc.gov/authorities/subjects/sh85134565 650 0 $a Truth in literature. $0 http://id.loc.gov/authorities/subjects/sh94008841 650 0 $a Reality in literature. $0 http://id.loc.gov/authorities/subjects/sh85111774 650 7 $a Reality in literature. $2 fast $0 (OCoLC)fst01091250 650 7 $a Theater and society. $2 fast $0 (OCoLC)fst01149315 650 7 $a Truth in literature. $2 fast $0 (OCoLC)fst01158252 776 08 $i Online version: $a Frieze, James, 1967- author. $t Theatrical performance and the forensic turn $d Abingdon, Oxon ; New York, NY : Routledge, 2019 $z 9780203743768 $w (DLC) 2019009171 830 0 $a Routledge advances in theatre and performance studies. $0 http://id.loc.gov/authorities/names/no2004014707 941 $a 1 952 $l OVUX522 $d 20231021023531.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CD6B82001E3F11EAA58222FC96128E48Initiate Another SILO Locator Search