The Locator -- [(subject = "Race--United States")]

212 records matched your query       


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03039aam a2200457 i 4500
001 2C05F2DC477411EC81CA9FE82DECA4DB
003 SILO
005 20211117010121
008 210525s2022    nyu      b    001 0 eng  
010    $a 2021025183
020    $a 0393881245
020    $a 9780393881240
035    $a (OCoLC)1253438121
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d SINLB $d XYZ $d IOU $d SILO
042    $a pcc
082 00 $a 780.973 $2 23
100 1  $a Horowitz, Joseph, $d 1948- $e author.
245 10 $a Dvořák's prophecy : $b and the vexed fate of black classical music / $c Joseph Horowitz ; foreword by George Shirley.
246 30 $a Vexed fate of black classical music
250    $a First edition.
264  1 $a New York : $b W. W. Norton & Company, $c 2022.
300    $a xxiii, 229 pages ; $c 24 cm
504    $a Includes bibliographical references and index.
505 0  $a Foreword / by George Shirley -- Preamble. Using the Past -- Dvořak, American Music, and Race -- In Defense of Nostalgia -- Oedipal Revolt -- The Bifurcation of American Music -- Classical Music Black and "Red" -- Using History -- A Personal Quest -- Summing Up.
520    $a "A provocative interpretation of why classical music in America "stayed white"-how it got to be that way and what can be done about it. In 1893 the composer Antonin Dvorák prophesied a "great and noble" school of American classical music based on the searing "negro melodies" he had excitedly discovered since arriving in the United States a year before. But while Black music would found popular genres known the world over, it never gained a foothold in the concert hall. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to Gershwin's Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Leonard Bernstein and Aaron Copland, he looks back to literary figures-Emerson, Melville, and Twain-to ponder how American music can connect with a "usable past." The result is a "new paradigm" that makes room for Black composers including Harry Burleigh, Nathaniel Dett, William Dawson, and Florence Price to redefine the classical canon"-- $c Provided by publisher.
650  0 $a Music $z United States $x History and criticism.
650  0 $a African Americans $x History and criticism. $x History and criticism.
650  0 $a Music $z United States $x African American influences.
650  0 $a Music and race $z United States.
600 10 $a Dvořák, Antonín, $d 1841-1904.
700 1  $a Shirley, George, $e other.
941    $a 7
952    $l OVUX522 $d 20231117015928.0
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952    $l FXPH314 $d 20221129011317.0
952    $l UNUX074 $d 20221117012522.0
952    $l TYPH572 $d 20220630013912.0
952    $l TCPG826 $d 20220104010538.0
952    $l BAPH771 $d 20211117010756.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2C05F2DC477411EC81CA9FE82DECA4DB
994    $a C0 $b IOU

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