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03428aam a22003498i 4500 001 927A25C0961911E8A89F3E0097128E48 003 SILO 005 20180802010035 008 170810s2018 ilu b 001 0 eng c 010 $a 2017038273 020 $a 022654365X 020 $a 9780226543659 035 $a (OCoLC)1001413970 040 $a ICU/DLC $b eng $e rda $c CGU $d DLC $d OCLCO $d BDX $d OCLCF $d YDX $d OCLCQ $d TOH $d GSU $d RES $d IWA $d SILO 042 $a pcc 050 00 $a ML2050 M43 2018 245 04 $a The melodramatic moment : $b music and theatrical culture, 1790-1820 / $c edited by Katherine Hambridge and Jonathan Hicks. 264 1 $a Chicago ; $b The University of Chicago Press, $c 2018. 300 $a xii, 282 pages ; $c 24 cm 504 $a Includes bibliographical references and index. 505 0 $a Foreword / James Chandler -- The melodramatic moment, 1790-1820 / Katherine Hambridge, Jonathan Hicks -- Forms and themes of early melodrama / Ellen Lockhart -- Continental trouble: the nationality of melodrama and the national stage in early nineteenth-century Britain / Diego Saglia -- Between the sacred and the profane: French Biblical melodrama in Vienna / Barbara Babic -- Scenography, "speÌculomanie" and soundscape: PixereÌcourt's La Citerne / Sarah Hibberd -- Gesture, composition and performance in 18th-century German melodrama: Goez's 160 "passionate" illustrations to Winters's Lenardo und Blandine / Thomas Betzwieser -- Music and subterranean space in La Citerne / Jens Hesselager -- The first English melodrama: Thomas Holcroft's translation of PixereÌcourt / George Taylor -- Benevolent machinery: techniques of sympathy in early German melodrama / Matthew Head -- Vienna, 18 October 1814: urban space and public memory in the Napoleonic "occasional melodrama" / Nicholas Mathew -- Afterword / Jacqueline Waeber. 520 $a We seem to see melodrama everywhere we look - from the soliloquies of devastation in a Dickens novel to the abject monstrosity of Frankenstein's creation, and from Louise Brooks's exaggerated acting in Pandora's Box to the vicissitudes endlessly reshaping the life of a brooding Don Draper. This anthology proposes to address the sometimes bewilderingly broad understandings of melodrama by insisting on the historical specificity of its genesis on the stage in late-eighteenth-century Europe. Melodrama emerged during this time in the metropolitan centers of London, Paris, Vienna, and Berlin through stage adaptations of classical subjects and gothic novels, and they became famous for their use of passionate expression and spectacular scenery. Yet, as contributors to this volume emphasize, early melodramas also placed sound at center stage, through their distinctive - and often disconcerting -alternations between speech and music. This book draws out the melo of melodrama, showing the crucial dimensions of sound and music for a genre that permeates our dramatic, literary, and cinematic sensibilities today. 650 0 $a Melodrama $x History and criticism. 650 0 $a Music $y 19th century $x History and criticism. 650 0 $a Music $y 18th century $x History and criticism. 700 1 $a Hambridge, Katherine, $e editor. 700 1 $a Hicks, Jonathan, $d 1984- $e editor. 941 $a 2 952 $l OVUX522 $d 20191214014347.0 952 $l USUX851 $d 20180802014413.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=927A25C0961911E8A89F3E0097128E48 994 $a 92 $b IWAInitiate Another SILO Locator Search