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03122aam a2200421 i 4500 001 668C19BAE9E911EBBBC9467A3DECA4DB 003 SILO 005 20210721010052 008 200124s2020 mdua b 001 0 eng 010 $a 2020003653 020 $a 1538121468 020 $a 9781538121467 035 $a (OCoLC)1137740441 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d UKMGB $d TKN $d YDX $d NUI $d SILO 042 $a pcc 050 00 $a MT6.H645 $b H37 2020 100 1 $a Horton, Charles, $d 1952- $e author. 245 10 $a Harmony through melody : $b the interaction of melody, counterpoint, and harmony in Western music / $c Charles Horton, David A. Byrne, Lawrence Ritchey. 250 $a Second edition. 264 1 $a Lanham, Maryland : $b Rowman & Littlefield, an imprint of The Rowman & Littlefield Publishing Group, Inc., $c [2020] 300 $a xv, 769 pages : $b illustrations ; $c 26 cm 520 $a "Harmony through Melody offers a robust, conservatory-style approach to music theory focused on Common Era classical works, reaching far beyond basic rudiments. The authors develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony"--Provided by publisher. 504 $a Includes bibliographical references (pages 761-762) and index. 505 0 $a Part 1. Fundamentals. 1. Musical Sound and Its Notation --2. Scale and Intervals -- 3. Modes and Keys -- 4. Rhythm and Meter -- Part II. Modality : Melody and Harmony. 5. Melodic Design -- 6. Duple Paraphrase -- 7. Harmonic Framework -- 8. Chordal Succession -- Part III. Vocal Melody and Counterpoint. 9. Melodic Dialogue -- 10. Triple Paraphrase -- 11. Vocal Duet -- Part IV. Diatonic Harmony and Tonicization. 12. Tonic Confirmation -- 13. Suspensions and Syncopations -- 14. Tonicization -- 15. Elaborating the Lower Voices -- 16. The Chorale -- Part V. Instrumental Melody and Counterpoint. 17. Quadruple Paraphrase -- 18. Instrumental Duet -- 19. Elaborating the Soprano -- 20. Accompanied Melody -- 21. Diatonic Sequence -- 22. The Minuet -- Part VI. Chromatic Harmony and Form. 23. Primary Mixture -- 24. Intensifying the Dominant -- 25. Intensifying the Tonic -- 26. Formal Modulation -- 27. Chromatic Sequence -- 28. Secondary Mixture -- 29. The Romance -- Part VII. Extension of Chromatic Tonality. 30. Enharmonics -- 31. Extended Voice-Leading Techniques -- 32. Post-Romantic Melody. 650 0 $a Music theory. 650 0 $a Harmony. 650 0 $a Melody. 650 0 $a Counterpoint. 650 7 $a Counterpoint. $2 fast $0 (OCoLC)fst00881333 650 7 $a Harmony. $2 fast $0 (OCoLC)fst00951531 650 7 $a Melody. $2 fast $0 (OCoLC)fst01015790 650 7 $a Music theory. $2 fast $0 (OCoLC)fst01030620 776 08 $i Online version: $a Horton, Charles, 1952- $t Harmony through melody $b Second edition. $d Lanham : Rowman & Littlefield, 2020. $z 9781538121481 $w (DLC) 2020003654 700 1 $a Byrne, David A., $d 1970- $e author. 700 1 $a Ritchey, Lawrence, $e author. 941 $a 1 952 $l OVUX522 $d 20220317030754.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=668C19BAE9E911EBBBC9467A3DECA4DBInitiate Another SILO Locator Search