The Locator -- [(subject = "Expressionism Art--Germany")]

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001 70B277460B6411EAA467CE0D97128E48
003 SILO
005 20191120010135
008 180824t20192019ne a     b    001 0 eng  
010    $a 2018039954
020    $a 9004358943
020    $a 9789004358942
035    $a (OCoLC)1043574409
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082 00 $a 741.6/7409430904 $2 23
100 1  $a Chapman, Kathleen $q (Kathleen G.), $e author.
240 10 $a Expressionism multiplied
245 10 $a Expressionism and poster design in Germany 1905-1922 : $b between spirit and commerce / $c by Kathleen G. Chapman.
264  1 $a Leiden ; $b Brill, $c [2019]
300    $a xiii, 369 pages : $b illustrations (some color) ; $c 25 cm.
490 1  $a Brill's studies in intellectual history, $x 0920-8607 ; $v volume 288
490 1  $a Brill's studies on art, art history, and intellectual history ; $v volume 32
500    $a Revision of the author's thesis (Ph. D.--University of Southern California, 2010) under the title: Expressionism multiplied : early twentieth-century German posters between art, commerce, and politics.
504    $a Includes bibliographical references (pages 242-263) and index.
505 0  $a Introduction : Expressionism between spirit and commerce -- Illustration, abstraction, advertising : Wilhelm Worringer and the continuities of German art -- Hieroglyphic appeal : the visual rhetoric of the German object poster -- Werkbund style, and expressionist art -- Promoting expressionism before expressionism : Kunstlergruppe Brücke and theories of the modern image before World War I -- From war to revolution, from propaganda to art : expressionism and posters of the revolutionary period -- Expressionism after expressionism : "dead" expressionism and theories of the modern image after World War I -- Conclusion : expressionism as buzzword.
520 8  $a In 'Expressionism and Poster Design in Germany 1905-1925', Kathleen Chapman re-defines Expressionism by situating it in relation to the most common type of picture in public space during the Wilhelmine twentieth century, the commercial poster. Focusing equally on visual material and contemporaneous debates surrounding art, posters, and the image in general, this study reveals that conceptions of a "modern" image were characterized not so much by style or mode of production and distribution, but by a visual rhetoric designed to communicate more directly than words. As instances of such rhetoric, Expressionist art and posters emerge as equally significant examples of this modern image, demonstrating the interconnectedness of the aesthetic, the utilitarian, and the commercial in European modernism.
650  0 $a Posters, German $x History $y 20th century.
650  0 $a Expressionism (Art) $z Germany. $0 http://id.loc.gov/authorities/subjects/sh2008103455
650  7 $a Expressionism (Art) $2 fast $0 (OCoLC)fst00918895
650  7 $a Posters, German. $2 fast $0 (OCoLC)fst01073098
651  7 $a Germany. $2 fast $0 (OCoLC)fst01210272
648  7 $a 1900-1999 $2 fast
655  7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628
776 08 $i Online version: $a Chapman, Kathleen (Kathleen G.). $t Expressionism and poster design in Germany 1905-1922. $d Leiden ; Boston : Brill, 2018 $z 9789004380998 $w (DLC)  2018045257
830  0 $a Brill's studies in intellectual history ; $v v. 228. $0 http://id.loc.gov/authorities/names/n86747150
830  0 $a Brill's studies in intellectual history. $p Brill's studies on art, art history, and intellectual history ; $v v. 32. $0 http://id.loc.gov/authorities/names/no2008047196
830  0 $a Brill's studies in intellectual history. $p Brill's studies on art, art history, and intellectual history ; $v volume 32. $0 http://id.loc.gov/authorities/names/no2008047196
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956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=70B277460B6411EAA467CE0D97128E48

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