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04222aam a2200637 i 4500 001 910E85FE664511EDB99D19AA23ECA4DB 003 SILO 005 20221117010035 008 211016t20222022txua b 001 0 eng c 010 $a 2021047901 020 $a 1477325352 020 $a 9781477325353 020 $a 1477325840 020 $a 9781477325841 035 $a (OCoLC)1275427165 040 $a TxU/DLC $b eng $e rda $c DLC $d BDX $d OCLCF $d OCLCO $d UKMGB $d ERASA $d OCLCO $d CDX $d YDX $d DCK $d YUS $d IMD $d IaU $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PN1997.2.B5815 $b B85 2022 082 00 $a 791.43/72 $2 23/eng/20211027 100 1 $a Bukatman, Scott, $d 1957- $e author. 245 10 $a Black Panther / $c Scott Bukatman. 250 $a First edition. 264 1 $a Austin : $b University of Texas Press, $c 2022. 300 $a 222 pages : $b illustrations ; $c 18 cm 490 1 $a 21st century film essentials 520 $a "Black Panther was the first Black superhero in mainstream American comics, and his titular film was the first in the Marvel Cinematic Universe (MCU) with a predominantly Black cast. The film broke box-office records and was nominated for numerous awards while also confirming director Ryan Coogler as a rising auteur. Scott Bukatman, a senior scholar in film and comics, examines the character, the film, and the director to understand why this is an essential film. While briefly tracing the history of Black superheroes and the overall history of the MCU to provide context, Bukatman delves into Afrofuturism with the film's (and comic's) depiction of the high-tech African country of Wakanda, the philosophical debate of isolationism that is at the heart of the film, and the larger issues of the African diaspora, showing how the film does not present a consistent ideology but instead raises real-world political questions with a character originally created by two white men in the 1960s. He also examines the role of women in the film and the importance of the characters Shuri, Okoye, Nakia, and Ramonda. Further, he addresses the cultural impact of the film and the mixed reception it received among some critics, while discussing its role as a fantasy of social liberation and social justice. He also takes time to discuss the late star, Chadwick Boseman, and his career as a whole within the context of this film"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction: Tell me a story -- The road to Wakanda -- Black Panther's black body -- The Wakandan dream -- The Killmonger problem -- Conclusion: Why do we hide? 600 00 $a Black Panther $c (Fictitious character) $x In motion pictures. 600 10 $a Coogler, Ryan, $d 1986- $x Criticism and interpretation. 600 07 $a Black Panther $c (Fictitious character) $2 fast $0 (OCoLC)fst02000849 630 00 $a Black Panther (Motion picture : 2018) 630 00 $a Black Panther (Motion picture : 2018) $x Political aspects. 630 00 $a Black Panther (Motion picture : 2018) $x Social aspects. 630 00 $a Black Panther (Motion picture : 2018) $x Influence. 650 0 $a Wakanda (Africa : Imaginary place) 650 0 $a Superheroes, Black. 650 0 $a African diaspora in art. 650 0 $a Afrofuturism. 650 0 $a Women, Black, in motion pictures. 650 0 $a Fantasy films $x Political aspects $z United States. 650 7 $a African diaspora in art. $2 fast $0 (OCoLC)fst01902318 650 7 $a Afrofuturism. $2 fast $0 (OCoLC)fst02003652 650 7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 650 7 $a Social aspects. $2 fast $0 (OCoLC)fst01354981 650 7 $a Superheroes, Black. $2 fast $0 (OCoLC)fst02010270 650 7 $a Wakanda (Africa : Imaginary place) $2 fast $0 (OCoLC)fst02009301 650 7 $a Women, Black, in motion pictures. $2 fast $0 (OCoLC)fst01905167 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 830 0 $a 21st century film essentials. 941 $a 1 952 $l OVUX522 $d 20231117011849.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=910E85FE664511EDB99D19AA23ECA4DBInitiate Another SILO Locator Search