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03362aam a2200517 i 4500 001 E09054AA214711EEBC7340321FECA4DB 003 SILO 005 20230713010558 008 181016t20192019mduag b 001 0 eng 010 $a 2018049934 020 $a 9781498581639 020 $a 1498581633 020 $a 1498581641 020 $a 9781498581646 020 $a 1498581625 020 $a 9781498581622 035 $a (OCoLC)1060181492 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d BDX $d UKMGB $d OCLCQ $d ENG $d YDX $d ERASA $d EYM $d OSU $d DLC $d CHVBK $d OCLCO $d OCLCA $d TJC $d CUT $d FUG $d OCLCO $d SILO 042 $a pcc 043 $a cl----- 050 00 $a ML1609 $b .C35 2019 082 00 $a 782.42168098 $2 23 100 1 $a Caicedo, Patricia, $e author. 245 14 $a The Latin American art song : $b sounds of the imagined nations / $c Patricia Caicedo. 264 1 $a Lanham, Maryland : $b Lexington Books, $c [2019] 300 $a xix, 167 pages : $b illustrations, music ; $c 24 cm 504 $a Includes bibliographical references (pages 153-160) and index. 505 0 $a The sounds of the imagined nations -- A creative storm -- New facets of the concept of nationalism in the twentieth century -- Toward a musical transnationalism or the dissolution of borders -- Performance practice of Latin American art song. 520 8 $a Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Peru, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated. The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.--Page [4] of cover. 650 0 $a Songs $z Latin America $x History and criticism. 650 0 $a Nationalism in music. 650 6 $a Chansons $z AmeÌrique latine $x Histoire et critique. 650 6 $a Nationalisme dans la musique. 650 7 $a Nationalism in music. $2 fast $0 (OCoLC)fst01033902 650 7 $a Songs. $2 fast $0 (OCoLC)fst01126120 651 7 $a Latin America. $2 fast $0 (OCoLC)fst01245945 650 7 $a Kunstlied $2 gnd 650 7 $a Nationalbewusstsein $2 gnd 651 7 $a Lateinamerika $2 gnd 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 1 $a Clark, Walter Aaron, $e writer of foreword. 776 08 $i Online version: $a Caicedo, Patricia. $t Latin American art song. $d Lanham : Lexington Books, [2018] $z 9781498581639 $w (DLC) 2018051186 941 $a 1 952 $l PLAX964 $d 20230718100020.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E09054AA214711EEBC7340321FECA4DB 994 $a 92 $b IOHInitiate Another SILO Locator Search