The Locator -- [(subject = "Manuscripts English Old")]

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03664aam a2200505 i 4500
001 F41CE13AE96D11E8978F920F97128E48
003 SILO
005 20181116010210
008 180511s2018    ne af    b    001 0 eng  
010    $a 2018007047
020    $a 9004360859
020    $a 9789004360853
035    $a (OCoLC)1019737545
040    $a DLC $b eng $e rda $c DLC $d YDX $d OCLCO $d YDX $d OCLCO $d OCLCF $d OHX $d NUI $d SILO
042    $a pcc
043    $a e-uk-en
050 00 $a PR1586 $b .T47 2018
100 1  $a Thomson, Simon C., $e author.
245 10 $a Communal creativity in the making of the 'Beowulf' Manuscript : $b towards a history of reception for the Nowell Codex / $c by Simon C. Thomson.
264  1 $a Leiden ; $b Brill, $c [2018]
300    $a xxiii, 392 pages, 9 unnumbered pages of plates ; $c 25 cm.
490 1  $a Library of the written word, $x 1874-4834 ; $v volume 67
490 1  $a The manuscript world ; $v volume 10
504    $a Includes bibliographical references (pages [349]-374) and indexes.
505 0  $a (Re)introducing the texts of the Nowell Codex -- The passion of Saint Christopher -- The wonders of the East -- The letter of Alexander to Aristotle -- Beowulf -- Judith -- Reading the Nowell Codex in the Eleventh Century -- Reconstructing the Nowell Codex -- Dating and placing the scribes of the Nowell Codex -- Extant gatherings -- Judith, St Christopher and the missing gatherings -- Sequence of production -- The images in the wonders of the East -- A's collection of absurdities? -- The two artists of the Nowell Wonders -- Frames -- Colours -- The planning and control of the images -- Variant styles; multiple exemplars -- Scribe A's performance -- The value of the Nowell Codex's prose texts -- Corrections -- Scribe A's density of copying in Beowulf.
520 8  $a Simon Thomson analyses details of scribal activity to tell a story about the project that preserved 'Beowulf' as one of a collective, if error-strewn, endeavour and arguing for a date in Cnut?s reign. He presents evidence for the use of more than three exemplars and at least two artists as well as two scribes, making this an intentional and creative re-presentation uniting literature religious and heroic, in poetry and in prose. He goes on to set it in the broader context of manuscript production in late Anglo-Saxon England as one example among many of communities using old literature in new ways, and of scribes working together, making mistakes, and learning.
630 00 $a Beowulf $x Criticism, Textual.
630 00 $a Nowell codex.
610 20 $a British Library. $k Manuscript. $n Cotton Vitellius A XV.
630 00 $a Beowulf. $l English (Old English) $s (Nowell codex)
630 07 $a Beowulf. $2 fast $0 (OCoLC)fst01356023
630 07 $a Nowell codex. $2 fast $0 (OCoLC)fst01788592
650  0 $a Epic poetry, English (Old) $x Criticism, Textual.
650  0 $a Manuscripts, Medieval $z England $x Editing.
650  0 $a Manuscripts, English (Old) $x Editing.
650  7 $a Epic poetry, English (Old) $2 fast $0 (OCoLC)fst00913869
650  7 $a Manuscripts, Medieval $x Editing. $2 fast $0 (OCoLC)fst01905918
651  7 $a England. $2 fast $0 (OCoLC)fst01219920
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
776 08 $i Online version: $a Thomson, Simon C., author. $t Communal creativity in the making of the 'Beowulf' Manuscript $d Leiden ; Boston : Brill, [2018] $z 9789004360860 $w (DLC) 2018028433
830  0 $a Library of the written word ; $v 67.
830  0 $a Library of the written word. $p Manuscript world ; $v v. 10.
941    $a 1
952    $l OVUX522 $d 20231021013606.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F41CE13AE96D11E8978F920F97128E48

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