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04176aam a2200589 i 4500 001 9A47542EE96D11E8978F920F97128E48 003 SILO 005 20181116010210 008 171206t20182018caua b 001 0 eng c 010 $a 2017055027 020 $a 1503606562 020 $a 9781503606562 020 $a 0804797994 020 $a 9780804797993 035 $a (OCoLC)1005496302 040 $a CSt/DLC $b eng $e rda $c DLC $d OCLCF $d OCLCQ $d YDX $d OBE $d IAY $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PS3537.H388 $b .N37 2018 082 00 $a 811/.5409 $2 23 100 1 $a Shaw, Lytle, $e author. 245 10 $a Narrowcast : $b poetry and audio research / $c Lytle Shaw. 264 1 $a Stanford, California : $b Stanford University Press, $c [2018] 300 $a xi, 254 pages : $b illustrations ; $c 23 cm. 490 1 $a Post-45 505 0 $a Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice. 504 $a Includes bibliographical references and index. 500 $a Through four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI. 500 $a Explores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence. 650 0 $a American poetry $y 20th century $x History and criticism. 650 0 $a Sound $x History $x History $y 20th century. 650 0 $a Sound recordings and the arts $z United States $x History $y 20th century. 650 0 $a Electronic surveillance $z United States $x History $y 20th century. 650 0 $a New Left $z United States $x History $y 20th century. 650 0 $a Oral interpretation of poetry. 650 0 $a Poetics. 650 7 $a American poetry. $2 fast $0 (OCoLC)fst00807348 650 7 $a Electronic surveillance. $2 fast $0 (OCoLC)fst00907477 650 7 $a New Left. $2 fast $0 (OCoLC)fst01036751 650 7 $a Oral interpretation of poetry. $2 fast $0 (OCoLC)fst01047080 650 7 $a Poetics. $2 fast $0 (OCoLC)fst01067682 650 7 $a Sound $x Recording and reproducing. $2 fast $0 (OCoLC)fst01126957 650 7 $a Sound recordings and the arts. $2 fast $0 (OCoLC)fst01127062 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Shaw, Lytle. $t Narrowcast. $d Stanford, California : Stanford University Press, 2018 $z 9781503606579 $w (DLC) 2017059718 830 0 $a Post 45. 941 $a 1 952 $l OVUX522 $d 20190212025423.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9A47542EE96D11E8978F920F97128E48Initiate Another SILO Locator Search