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01730aam a2200361 a 4500 001 84CDD3C0E05511E1B4DE4CCF6AFF544E 003 SILO 005 20120807010223 008 110914s2012 nyua b 001 0 eng c 010 $a 2011038590 020 $a 080145008X (cloth : alk. paper) 020 $a 9780801450082 (cloth : alk. paper) 035 $a (OCoLC)753351179 040 $a COO $b eng $c COO $d SILO $d PUL $d BTCTA $d YDXCP $d BDX $d ERASA $d BWX $d UKMGB $d IUL $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PN1995.9.P6 $b S26 2012 082 00 $a 384/.8097309045 $2 23 100 1 $a Sbardellati, John, $d 1973- 245 1 $a J. Edgar Hoover goes to the movies : $b the FBI and the origins of Hollywood's Cold War / $c John Sbardellati. 260 $a Ithaca : $b Cornell University Press, $c 2012. 300 $a viii, 256 p. : $b ill. ; $c 25 cm. 504 $a Includes bibliographical references (p. 209-246) and index. 505 0 $a Introduction : Hollywood's Red scare -- A movie problem -- The FBI's search for communist propaganda during the Second World War -- Producing Hollywood's Cold War -- The coalescence of a counter-subversive network -- The 1947 HUAC trials -- Rollback -- Conclusion : three perspectives on the death of the social problem film. 650 0 $a Motion pictures $x History. $z United States $x History. 650 0 $a Cold War in motion pictures. 650 0 $a Communism and motion pictures $z United States. 650 0 $a Cold War $x Social aspects $z United States. 610 10 $a United States. $b Federal Bureau of Investigation. 941 $a 2 952 $l OVUX522 $d 20171226044813.0 952 $l USUX851 $d 20160826055836.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=84CDD3C0E05511E1B4DE4CCF6AFF544EInitiate Another SILO Locator Search