The Locator -- [(subject = "Beeldvorming")]

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03446cam a2200505 a 4500
001 8C436852253811DF9B7CADF9A7D7520A
003 SILO
005 20100301073843
008 090622s2009    enka     bq   001 0 eng d
010    $a 2009284311
020    $a 184511776X (Pb)
020    $a 9781845117764 (Pb)
020    $a 9781845117757
020    $a 1845117751
035    $a (OCoLC)262427655
040    $a YDXCP $c YDXCP $d SILO $d BWK $d VVC $d OKU $d CDX $d IQU $d NLGGC $d RID $d MOF $d IOO $d SILO
042    $a lccopycat
043    $a n-us---
050 00 $a E656 $b .B37 2009
082 04 $a 791.43658 $2 22
084    $a 24.34 $2 bcl
100 1  $a Barrett, Jenny, $d 1968-
245 1  $a Shooting the Civil War : $b cinema, history and American national identity / $c Jenny Barrett.
260    $a New York, NY : $b Distributed by Palgrave Macmillan, $c 2009.
300    $a xii, 220 p. : $b ill. ; $c 24 cm.
490 1  $a Cinema and society series
504    $a Includes bibliographical references (p. [205]-214) and index.
504    $a Includes filmography: p. [199]-203.
505 0  $a National identity, ideology and American film genres -- Civil War melodramas: the family and the home -- War-Westerns: shifting lines of conflict -- Civil War combat films: masculine American ancestry -- The Birth of a nation: race, family, gender -- An enduring Southern ancestry -- Conclusion: to remember/forget.
520    $a "No fewer than seven hundred Civil War films have been made by Hollywood from early silent days to the present, from the epoch-making Birth of a Nation, through The Red Badge of Courage and Gone With the Wind to the recent Glory, Ride with the Devil and Cold Mountain. This readable and innovative book on the American Civil War as presented in Hollywood cinema goes deep into the best of these films, arguing that rather than belonging to a single genre, Civil War films are to be found across genres, as domestic melodramas, Westerns or combat films for example. As such, they have fresh insights to give into the war and into America's sense of itself. Shooting the Civil War shows how these films create an American ancestor who is blameless and undertakes a process of reinscription into the American historical family. It also makes the remarkable revelation that no Civil War film yet made has had a central black character who survives the war, fathers the children of the future, and can stand as representative of the whole American people. To this extent, the book is saying, the Civil War remains a work in progress"--Publisher description.
651  0 $a United States $x Motion pictures and the war. $y Civil War, 1861-1865 $x Motion pictures and the war.
650  0 $a War films $z United States $x History and criticism.
650 17 $a Amerikaanse burgeroorlog. $2 gtt
650 17 $a Oorlogsfilms. $2 gtt
650 17 $a Beeldvorming. $2 gtt
651  7 $a Verenigde Staten. $2 gtt
830  0 $a Cinema and society.
856 42 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy0913/2009284311-b.html
856 42 $3 Publisher description $u http://www.loc.gov/catdir/enhancements/fy0913/2009284311-d.html
856 41 $3 Table of contents only $u http://www.loc.gov/catdir/enhancements/fy0913/2009284311-t.html
941    $a 2
952    $l OZAX845 $d 20240525040242.0
952    $l USUX851 $d 20160825092844.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=8C436852253811DF9B7CADF9A7D7520A
994    $a 02 $b IOO

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