The Locator -- [(subject = "Avantgarde")]

29 records matched your query       


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03320aam a2200529 i 4500
001 CA6A1436214711EEBC7340321FECA4DB
003 SILO
005 20230713010558
008 160126s2016    nyua     b    001 0 eng  
010    $a 2016003765
020    $a 1628922478
020    $a 9781628922479
020    $a 1628922486
020    $a 9781628922486
035    $a (OCoLC)919858326
040    $a DLC $b eng $e rda $c DLC $d YDX $d YDXCP $d BTCTA $d BDX $d OCLCF $d ZCU $d RES $d STF $d JHP $d KNM $d CHVBK $d UKUOY $d UKWOH $d OCLCQ $d IGA $d OCLCQ $d SFR $d UKMGB $d IDU $d CUI $d U3G $d OCLCA $d OCLCO $d WLU $d SILO
042    $a pcc
050 00 $a ML197 $b .G6857 2016
082 00 $a 780.9/04 $2 23
100 1  $a Gottschalk, Jennie, $e author.
245 10 $a Experimental music since 1970 / $c Jennie Gottschalk.
264  1 $a New York ; $b Bloomsbury Academic, $c 2016.
300    $a viii, 292 pages : $b illustrations ; $c 23 cm
504    $a Includes bibliographical references (pages 283-285) and index.
505 0  $a Defining features of experimental music. Introduction ; Indeterminacy ; Silence -- Scientific approaches. Acts of discovery ; Harmonic relations ; Playing with numbers ; Learning by making ; Finding hidden sounds -- Physicalities. The physicality of performance ; Resonant spaces ; Objects as instruments ; From shape to sound -- Perception. The position of the listener ; The perception of time -- Information, language, and interaction. Treatments of sonic information ; The sounds of living beings ; Language ; Interaction -- Place and time. Mappings ; Site-specific works ; Histories -- Advocates.
520    $a What is experimental music today? Recent attempts to define or identify examples of experimental music have been cautious and subjective, offering very little guidance to anyone with an interest in this field of activity. Is experimental music a historical event that refers only to John Cage and his influence, or does it have a greater spread and longevity? The development of this musical practice over the last 45 years merits a fresh definition and discussion. An experimental approach is not identifiable in specific sounds or techniques, and its scope would be drastically limited if it were judged on the basis of social or aesthetic groupings or self-identifications of composers.
650  0 $a Music $y 20th century $x History and criticism.
650  0 $a Music $y 21st century $x History and criticism.
650  0 $a Avant-garde (Music)
650  6 $a Musique $y 21e siècle $x Histoire et critique.
650  6 $a Musique expérimentale.
650  7 $a MUSIC $x History & Criticism. $2 bisacsh
650  7 $a Music. $2 eflch
650  7 $a Avant-garde (Music) $2 fast $0 (OCoLC)fst00824287
650  7 $a Music. $2 fast $0 (OCoLC)fst01030269
650  7 $a Experimentelle Musik $2 gnd
650  7 $a Moderne $2 gnd
650  7 $a Musik $2 gnd
650  7 $a Avantgarde $2 gnd
650  7 $a Music. $2 ukslc
648  7 $a 1900-2099 $2 fast
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
776 08 $i Online version: $a Gottschalk, Jennie. $t Experimental music since 1970. $b 1st edition. $d New York : Bloomsbury Academic, 2016 $z 9781628922516 $w (DLC)  2016005238
941    $a 1
952    $l PLAX964 $d 20230718092505.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CA6A1436214711EEBC7340321FECA4DB
994    $a 92 $b IOH

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