The Locator -- [(subject = "American poetry--20th century--History and criticism")]

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04963aam a2200589 i 4500
001 49B6AD6AB50611EEB233F11920ECA4DB
003 SILO
005 20240117010048
008 221221s2023    iau      b    001 0 eng  
010    $a 2022058112
020    $a 1609389115
020    $a 9781609389116
035    $a (OCoLC)1379831520
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCF $d OCLCO $d NUI $d SILO
042    $a pcc
043    $a n-us---
050 00 $a PS310.B53 $b P59 2023
082 00 $a 811.009/896073 $2 23/eng/20230808
100 1  $a Pizza, Joseph, $d 1979- $e author.
245 10 $a Dissonant voices : $b race, jazz, and innovative poetics in midcentury America / $c Joseph Pizza.
264  1 $a Iowa City : $b University of Iowa Press, $c [2023]
300    $a xvi, 240 pages ; $c 23 cm.
490 1  $a Contemporary North American poetry series
520    $a "Dissonant Voices: Race, Jazz, and Innovative Poetics in Midcentury America explores the braiding together of racial politics, popular music, and avant-garde poetics in post-war American culture. Ranging from roughly the late-1940s to the early 1970s, this study examines the development of open field poetics, alternately termed projective verse, after Charles Olson's influential essay of the same name. In doing so, it traces projective verse from its creation amidst the crucible of racial integration at Black Mountain College, to its development through a series of interracial friendships explored among writers involved in the Boston, San Francisco, and downtown New York scenes, to its reimagining by African American poets working in Harlem, Los Angeles, and beyond as part of the Black Arts Movement. Because the histories of integration, jazz, and postwar poetics have been studied too often as the subjects of disparate narratives and separate disciplines, this arc of their shared development has also been largely obscured. To remedy this, the present study takes an interdisciplinary approach, with insights from contemporary histories, performance studies, sound studies, critical race theory, and literary criticism informing the mix of literary analysis, musicology, and historical detail that comprises each chapter. Accordingly, the book argues for an integrated approach to the New American Poetry and the Black Arts Movement, one that situates the midcentury poetics of breath and performance in the context of the Civil Rights-era politics and jazz music that informed it. Moreover, it also unearths significant and little understood connections between Black Mountain, the Beats, the Boston Renaissance, the New York scene, and the Black Arts Movement, expanding, thereby, our understandings of each, and, in a more general sense, of contemporary American poetry, politics, and music in the process"-- $c Provided by publisher.
504    $a Includes bibliographical references.
505 0  $a Preface: Integrating Black Mountain -- Introduction: Dissonant voices: race, jazz, and the new American poetics of breath -- Form is never more than an extension of bird: projective verse as jazz poetic -- Ouside Boston: Stephen Jonas in the poetry of John Wieners and Jack Spicer -- Howling Parker: jazz, race, and beat performance -- Broadening the voice: Amiri Baraka among the hipsters -- Spitting fire: the Black Arts Movement and the new American poetry -- Conclusion: Out and gone.
541 1  $3 Copy 1 ; $c Gift ; $d 2023. $5 IaU
648  7 $a 1900-1999 $2 fast
650  0 $a American poetry $x History and criticism. $x History and criticism.
650  0 $a American poetry $y 20th century $x History and criticism.
650  0 $a African Americans $x Intellectual life $y 20th century.
650  0 $a African Americans in literature.
650  0 $a Jazz $x Philosophy and aesthetics.
650  0 $a Black Arts movement.
650  0 $a Poetics.
650  0 $a Music and literature $z United States $x History $y 20th century.
650  7 $a African Americans in literature $2 fast $0 (OCoLC)fst00799727
650  7 $a African Americans $x Intellectual life $2 fast $0 (OCoLC)fst00799627
650  7 $a American poetry $2 fast $0 (OCoLC)fst00807348
650  7 $a American poetry $x African American authors $2 fast $0 (OCoLC)fst00807349
650  7 $a Black Arts movement $2 fast $0 (OCoLC)fst00833583
650  7 $a Jazz $x Philosophy and aesthetics $2 fast $0 (OCoLC)fst01751455
650  7 $a Music and literature $2 fast $0 (OCoLC)fst01030479
650  7 $a Poetics $2 fast $0 (OCoLC)fst01067682
651  7 $a United States $2 fast $0 (OCoLC)fst01204155
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a History $2 fast $0 (OCoLC)fst01411628
776 08 $i Online version: $a Pizza, Joseph, 1979- $t Dissonant voices $d Iowa City : University of Iowa Press, [2023] $z 9781609389123 $w (DLC)  2022058113
830  0 $a Contemporary North American poetry series
941    $a 1
952    $l OVUX522 $d 20240117013324.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=49B6AD6AB50611EEB233F11920ECA4DB

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