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04080aam a2200481 i 4500 001 D9953B9096FD11ED8856CD373CECA4DB 003 SILO 005 20230118010046 008 220308t20222022cau b 001 0 eng 010 $a 2022010756 020 $a 0520281845 020 $a 9780520281844 020 $a 0520281837 020 $a 9780520281837 035 $a (OCoLC)1308409253 040 $a CU-S/DLC $b eng $e rda $c DLC $d OCLCO $d BDX $d YDX $d OCLCF $d UKMGB $d YDX $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ML3556 $b .R323 2022 100 1 $a Ramsey, Guthrie P., $e author. 245 10 $a Who hears here? : $b on Black music, pasts and present / $c Guthrie P. Ramsey, Jr. ; foreword by Tammy L. Kernodle ; afterword by Shana L. Redmond. 264 1 $a Oakland, California : $b University of California Press, $c [2022] 300 $a xvii, 287 pages ; $c 24 cm. 490 1 $a Phono: black music and the global imagination ; $v 1 504 $a Includes bibliographical references and index. 505 0 $a Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond. 520 $a "Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths"--Provided by publisher. 650 0 $a African Americans $x History and criticism. $x History and criticism. 650 0 $a Popular music $x Social aspects $z United States. 650 0 $a Musicology $z United States $x History. 650 7 $a African Americans $x Music. $2 fast $0 (OCoLC)fst00799648 650 7 $a Musicology. $2 fast $0 (OCoLC)fst01030893 650 7 $a Popular music $x Social aspects. $2 fast $0 (OCoLC)fst01071460 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 700 1 $a Kernodle, Tammy L., $d 1969- $e writer of foreword. 700 1 $a Redmond, Shana L., $e writer of afterword. 776 08 $i Online version: $a Ramsey, Guthrie P. $t Who hears here? $d Oakland, California : University of California Press, [2022] $z 9780520392182 $w (DLC) 2022010757 830 0 $a Phono (Oakland, Calif.) ; $v 1. 941 $a 1 952 $l OVUX522 $d 20231117021819.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D9953B9096FD11ED8856CD373CECA4DBInitiate Another SILO Locator Search