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03321aam a2200445 i 4500 001 0E6045A4621111E7BC2B04C5DAD10320 003 SILO 005 20170706010219 008 161123t20172017ilua b 001 0 eng c 010 $a 2016054303 020 $a 0226791203 020 $a 9780226791203 035 $a (OCoLC)958781206 040 $a ICU/DLC $b eng $e rda $c CGU $d DLC $d YDX $d OCLCO $d OCLCF $d OCLCQ $d ERASA $d YDX $d OCLCO $d SILO 042 $a pcc 043 $a n-us-ny 050 00 $a MT955 $a MT955 $b T39 2017 082 00 $a 700.92 $2 23 100 1 $a Taylor, Jane, $d 1956- $e author. 245 10 $a William Kentridge : $b being led by the Nose / $c Jane Taylor. 264 1 $a Chicago : $b The University of Chicago Press, $c 2017. 300 $a x, 163 pages : $b illustrations (some color) ; $c 26 cm 504 $a Includes bibliographical references and index. 505 0 $a Prologue -- Nasal passages -- Nose bleeds -- A special theory of relativity -- Object lessons -- Collegiate assessments. 520 8 $a South African artist William Kentridge's drawings, films, books, installations, and collaborations with opera and theater companies have established him as a world-class star in contemporary art, media, and theater. In 2010, and again in 2013, he staged Dmitri Shostakovich's 'The Nose' at the Metropolitan Opera; after the premiere, the New York Times noted that "Kentridge, who directed this production, helped design the sets and created the videos that animate the staging, received the heartiest bravos." In this book, Jane Taylor, Kentridge's friend and frequent collaborator, invites us to take an extraordinary behind-the-scenes look at his work for the show. Kentridge has long been admired for his unconventional use of conventional media to produce art that is stunning, evocative, and narratively powerful and how he works is as important as what he creates. This book is more than just a simple record of 'The Nose'. The opera serves as a springboard into a bracing conversation about how Kentridge's methods serve his unique mode of expression as a narrative and political artist. Taylor draws on his etchings, sculptures, and drawings to render visible the communication that occurs between his mind and hand as he thinks through the activity of making. Beautifully illustrated in color, William Kentridge offers striking insights about one of the most innovative artists of our present moment. 600 10 $a Kentridge, William, $d 1955- $x Criticism and interpretation. 600 10 $a Shostakovich, Dmitrii Dmitrievich, $d 1906-1975. $t Nos. 610 20 $a Metropolitan Opera (New York, N.Y.) 600 17 $a Kentridge, William, $d 1955- $2 fast $0 (OCoLC)fst00417078 610 27 $a Metropolitan Opera (New York, N.Y.) $2 fast $0 (OCoLC)fst00519669 630 07 $a Nos (Shostakovich, Dmitrii Dmitrievich) $2 fast $0 (OCoLC)fst01373224 650 0 $a Opera $x Stage-setting and scenery $z New York. $z New York. 650 7 $a Opera $x Stage-setting and scenery. $2 fast $0 (OCoLC)fst01046170 651 7 $a New York (State) $z New York. $2 fast $0 (OCoLC)fst01204333 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 941 $a 2 952 $l OVUX522 $d 20191210014244.0 952 $l USUX851 $d 20170802030937.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0E6045A4621111E7BC2B04C5DAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search