The Locator -- [(subject = "Shostakovich Dmitriĭ Dmitrievich--1906-1975")]

116 records matched your query       


Record 5 | Previous Record | Long Display | Next Record
03321aam a2200445 i 4500
001 0E6045A4621111E7BC2B04C5DAD10320
003 SILO
005 20170706010219
008 161123t20172017ilua     b    001 0 eng c
010    $a 2016054303
020    $a 0226791203
020    $a 9780226791203
035    $a (OCoLC)958781206
040    $a ICU/DLC $b eng $e rda $c CGU $d DLC $d YDX $d OCLCO $d OCLCF $d OCLCQ $d ERASA $d YDX $d OCLCO $d SILO
042    $a pcc
043    $a n-us-ny
050 00 $a MT955 $a MT955 $b T39 2017
082 00 $a 700.92 $2 23
100 1  $a Taylor, Jane, $d 1956- $e author.
245 10 $a William Kentridge : $b being led by the Nose / $c Jane Taylor.
264  1 $a Chicago : $b The University of Chicago Press, $c 2017.
300    $a x, 163 pages : $b illustrations (some color) ; $c 26 cm
504    $a Includes bibliographical references and index.
505 0  $a Prologue -- Nasal passages -- Nose bleeds -- A special theory of relativity -- Object lessons -- Collegiate assessments.
520 8  $a South African artist William Kentridge's drawings, films, books, installations, and collaborations with opera and theater companies have established him as a world-class star in contemporary art, media, and theater. In 2010, and again in 2013, he staged Dmitri Shostakovich's 'The Nose' at the Metropolitan Opera; after the premiere, the New York Times noted that "Kentridge, who directed this production, helped design the sets and created the videos that animate the staging, received the heartiest bravos." In this book, Jane Taylor, Kentridge's friend and frequent collaborator, invites us to take an extraordinary behind-the-scenes look at his work for the show. Kentridge has long been admired for his unconventional use of conventional media to produce art that is stunning, evocative, and narratively powerful and how he works is as important as what he creates. This book is more than just a simple record of 'The Nose'. The opera serves as a springboard into a bracing conversation about how Kentridge's methods serve his unique mode of expression as a narrative and political artist. Taylor draws on his etchings, sculptures, and drawings to render visible the communication that occurs between his mind and hand as he thinks through the activity of making. Beautifully illustrated in color, William Kentridge offers striking insights about one of the most innovative artists of our present moment.
600 10 $a Kentridge, William, $d 1955- $x Criticism and interpretation.
600 10 $a Shostakovich, Dmitrii Dmitrievich, $d 1906-1975. $t Nos.
610 20 $a Metropolitan Opera (New York, N.Y.)
600 17 $a Kentridge, William, $d 1955- $2 fast $0 (OCoLC)fst00417078
610 27 $a Metropolitan Opera (New York, N.Y.) $2 fast $0 (OCoLC)fst00519669
630 07 $a Nos (Shostakovich, Dmitrii Dmitrievich) $2 fast $0 (OCoLC)fst01373224
650  0 $a Opera $x Stage-setting and scenery $z New York. $z New York.
650  7 $a Opera $x Stage-setting and scenery. $2 fast $0 (OCoLC)fst01046170
651  7 $a New York (State) $z New York. $2 fast $0 (OCoLC)fst01204333
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
941    $a 2
952    $l OVUX522 $d 20191210014244.0
952    $l USUX851 $d 20170802030937.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0E6045A4621111E7BC2B04C5DAD10320
994    $a 92 $b IWA

Initiate Another SILO Locator Search

This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.