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03864aam a2200445 i 4500 001 9D56694C580511E8A8F83C5097128E48 003 SILO 005 20180515010114 008 171011t20182018nyua b 001 0 eng c 010 $a 2017022742 020 $a 0231183380 020 $a 9780231183383 035 $a (OCoLC)1010542687 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d YDX $d OCLCO $d INU $d GSU $d STF $d SILO 042 $a pcc 043 $a n-us--- $a n-us--- 050 00 $a PN1995.9.P76 $b W66 2018 082 00 $a 791.43/6538 $2 23 100 1 $a Wong, Lily, $d 1983- $e author. 245 10 $a Transpacific attachments : $b sex work, media networks, and affective histories of Chineseness / $c Lily Wong. 264 1 $a New York : $b Columbia University Press, $c [2018] 300 $a xiv, 229 pages : $b illustrations ; $c 24 cm. 490 1 $a Global Chinese culture 520 $a "Transpacific Attachments identifies the formation of a collective sense of Chinese identity through representations of the prostitute figure in popular media circulated among the U.S., China, and Sinophone communities from the early twentieth century to the present day. Often portrayed as a "desired other," the Chinese prostitute figure has become a trope for both Asian American sexuality and Asian modernity. The book discusses, for instance, how early Hollywood's depiction of Chinese women as parasitic prostitutes, mobilized in part by the Page Act of 1875, reflect discourses of biological threat that justified the persecution of Chinese immigrants and the United States' expansion abroad. Distributed across the Pacific, this popular narrative which places Chinese prostitutes as stand-ins for a "diseased Chinese race" provoked the rise of a Chinese National Cinema that reframed the prostitute figure into a symbol for reform in the 1930s. The Chinese prostitute figure not only serves as the discursive surface on which Hollywood and the Chinese film industry negotiate competing ideologies, but she functions also as a medium through which affective intensities are motivated into collective action. By historicizing the ways the Chinese prostitute figure is remade through transpacific media networks--from literature to film to new media--Lily Wong shows how the figure both reflects and rallies feelings that form collective identities, such as "Chineseness," that are often overlooked under national, ethnic, linguistic-centered scopes"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 199-215) and index. 505 0 $a Introduction : sex work, media networks, and transpacific histories of affect -- Desiring across the Pacific : transnational contact in early twentieth century Asian/American literature -- Over my dead body : melodramatic crossings of Anna May Wong and Ruan Lingyu -- Erotic liaisons : sinophonic queering of the Shaw Brothers' Chinese dream -- Offense to the ear : hearing the sinophonic in Wang Zhenhe's Rose, Rose, I love you -- Dwelling : affective labor and reordered kinships in The fourth portrait and Seeking Asian female -- Coda : what dwells. 650 0 $a Prostitutes in motion pictures. 650 0 $a Prostitutes in literature. 650 0 $a Chinese in motion pictures. 650 0 $a Chinese in literature. 650 0 $a National characteristics, Chinese. 650 7 $a Chinese in literature. $2 fast $0 (OCoLC)fst00857382 650 7 $a Chinese in motion pictures. $2 fast $0 (OCoLC)fst01902774 650 7 $a National characteristics, Chinese. $2 fast $0 (OCoLC)fst01033393 650 7 $a Prostitutes in literature. $2 fast $0 (OCoLC)fst01079558 650 7 $a Prostitutes in motion pictures. $2 fast $0 (OCoLC)fst01079560 830 0 $a Global Chinese culture. 941 $a 1 952 $l OVUX522 $d 20181116060009.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9D56694C580511E8A8F83C5097128E48Initiate Another SILO Locator Search