The Locator -- [(subject = "Motion pictures--France--History--20th century")]

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001 7806F6EC209B11EABA878C2E97128E48
003 SILO
005 20191217010151
008 190711s2019    stka     b    001 0 eng d
020    $a 1474424236
020    $a 9781474424233
035    $a (OCoLC)1110437639
040    $a UKMGB $b eng $e rda $c UKMGB $d OCLCO $d ERASA $d YDX $d UtOrBLW $d SILO
043    $a e-fr--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-fr
050  4 $a PN1993.5.F8 $b M53 2019
082 04 $a 791.430944 $2 23
100 1  $a Michael, Charlie, $e author. $0 http://id.loc.gov/authorities/names/no2013027445
245 10 $a French blockbusters : $b cultural politics of a transnational cinema / $c Charlie Michael.
264  1 $a Edinburgh : $b Edinburgh University Press, $c [2019]
300    $a xvii, 236 pages : $b illustrations (black and white) ; $c 24 cm.
490 1  $a Traditions in World Cinema
504    $a Includes bibliographical references and index.
520 8  $a The digitised spectacles conjured by a word like `blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic `cultural exception' remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions. Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of recent popular films that are rapidly changing what it means to make - or to see - a `French' film today. From English-language action vehicles like Valerian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toledano & Nakache, 2011), the variously filiated `local blockbusters' from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a forceful counter-history.
650  0 $a Blockbusters (Motion pictures) $z France $x History $y 20th century.
650  0 $a Motion pictures $x Political aspects $z France.
650  0 $a Transnationalism in motion pictures. $0 http://id.loc.gov/authorities/subjects/sh2015001932
830  0 $a Traditions in world cinema. $0 http://id.loc.gov/authorities/names/no2005058764
941    $a 1
952    $l OVUX522 $d 20191217025306.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=7806F6EC209B11EABA878C2E97128E48

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