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03428aam a2200457 i 4500 001 D6453A34EE0211ECABFB385646ECA4DB 003 SILO 005 20220617010046 008 211015t20222022quca b 001 0 eng 020 $a 0228011043 020 $a 9780228011040 020 $a 0228011035 020 $a 9780228011033 035 $a (OCoLC)1276809422 040 $a NLC $b eng $e rda $c NLC $d NLC $d YDX $d BDX $d OCLCF $d OCLCO $d CDX $d UKMGB $d YDX $d LGG $d NUI $d SILO 042 $a lac 043 $a e-fr--- 050 4 $a PN1997.H62 $b P39 2022 055 0 $a PN1997.H66 $b P39 2022 082 04 $a 791.43/72 $2 23 100 1 $a Payne, Robert, $d 1973- $e author. 245 12 $a L'homme blessé / $c Robert Payne. 264 1 $a Montreal ; $b McGill-Queen's University Press, $c [2022] 300 $a xii, 129 pages : $b illustrations ; $c 21 cm. 490 0 $a Queer film classics 530 $a Issued also in electronic formats. 520 $a "Drawn into the circuit of men cruising for sex in and around a train station, restless adolescent Henri begins a frenzied pursuit of a dangerously charismatic older man, with sometimes violent and ultimately tragic consequences. Premiering at Cannes in 1983, Patrice Chéreau's L'Homme blessé (The Wounded Man) was one of France's first major cinematic releases to depict homosexual desire and queer sexual cultures in an unapologetic and complex way. It is a film that continues to resonate to this day. L'Homme blessé generated controversy with its dark tone and its treatment of an adolescent's obsessive homoerotic desire, as well as Chéreau's denial that the film is about homosexuality. Robert Payne guides readers through the powerfully erotic underworld of L'Homme blessé, where the film sidesteps fixed identities and draws viewers into the ambiguous spaces of queer desire, and argues that its visual composition depicts queer ways of seeing and generates queer ways of feeling. A look into the production's historical and cultural backdrop uncovers a behind-the-scenes story of power and desire between its two screenwriters and the presence of HIV/AIDS hovering ominously and inevitably off screen. Original interviews trace the lives of L'Homme blessé across three continents and three decades and measure the film's enduring value beyond its prestigious debut. Payne cements L'Homme blessé in its rightful place within queer cultural history and introduces the film to a new generation of viewers."-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 121-126) and index. 600 10 $a CheÌreau, Patrice $x Criticism and interpretation. 600 17 $a CheÌreau, Patrice. $2 fast $0 (OCoLC)fst00110654 630 00 $a Homme blesseÌ (Motion picture) 650 0 $a Motion pictures $z France $x History and criticism. 650 0 $a Homosexuality in motion pictures. 650 7 $a Homosexuality in motion pictures. $2 fast $0 (OCoLC)fst00959829 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 651 7 $a France. $2 fast $0 (OCoLC)fst01204289 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Online version: $a Payne, Robert, 1973- $t Homme blessé. $d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022 $z 9780228011613 $z 9780228011613 $w (OCoLC)1276809559 941 $a 1 952 $l OVUX522 $d 20231117023554.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D6453A34EE0211ECABFB385646ECA4DBInitiate Another SILO Locator Search