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01693aam a22003498i 4500 001 7E1E4C68840911E89478B85797128E48 003 SILO 005 20180710010618 008 171030s2018 nyua b 001 0 eng 010 $a 2017045970 020 $a 113820207X 020 $a 9781138202078 020 $a 1138202061 020 $a 9781138202061 035 $a (OCoLC)978890901 035 $a (OCoLC)1010584298 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d OCLCQ $d SINLB $d CHVBK $d NUI $d SILO 042 $a pcc 050 00 $a TR899 $b .F75 2018 082 00 $a 777/.55 $2 23 100 1 $a Frierson, Michael, $e author. 245 10 $a Film and video editing theory : $b how editing creates meaning / $c Michael Frierson. 264 1 $a New York : $b Routledge, $c 2018. 300 $a xvii, 327 pages : $b illustrations ; $c 26 cm 504 $a Includes bibliographical references and index. 505 0 $a Herbert Zettl, vectors and approaches to building screen space -- NoeÌl Burch, PMR vs. IMR, and continuity editing in a 5 x 3 matrix -- Hollywood theorists: Edward Dmytryk and Walter Murch -- David Bordwell, the narrative functions of continuity editing, and intensified continuity -- Eisenstein and montage -- Realism and AndreÌ Bazin -- Dream and ritual: Andrei Tarkovsky and Maya Deren -- Rhythmic and graphic editing. 650 0 $a Motion pictures $x Editing. 650 7 $a Motion pictures $x Editing. $2 fast 776 08 $i Online version: $a Frierson, Michael author. $t Theories of film editing. $d New York : Routledge, 2018 $z 9781315475011 $w (DLC) 2017053219 941 $a 1 952 $l OVUX522 $d 20190212015544.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=7E1E4C68840911E89478B85797128E48Initiate Another SILO Locator Search