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03233aam a2200397 i 4500 001 910C22DC664511EDB99D19AA23ECA4DB 003 SILO 005 20221117010035 008 210820t20222022caua b 001 0 eng 010 $a 2021040705 020 $a 0520383699 020 $a 9780520383692 035 $a (OCoLC)1269625851 040 $a CU-S/DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCF $d OCLCO $d UKMGB $d ERASA $d JQW $d NYP $d OCLCO $d SILO 042 $a pcc 043 $a n-us-ca 050 00 $a PN1993.5.U65 $b H79 2022 082 00 $a 791.4305 $2 23 100 1 $a Hoyt, Eric, $e author. 245 10 $a Ink-stained Hollywood : $b the triumph of American cinema's trade press / $c Eric Hoyt. 264 1 $a Oakland, California : $b University of California Press, $c [2022] 300 $a xvii, 258 pages : $b illustrations (some color) ; $c 23 cm 520 $a "For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business--a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of the emerging giant Exhibitor's Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture--taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism's relationship with the motion picture industry and its continued impact on creative industries today"--Provided by publisher. 504 $a Includes bibliographical references (pages 197-245) and index. 505 0 $a Introduction -- Remaking film journalism in the mid-1910s -- Trade papers at war -- The independent exhibitor's pal : localizing, specializing, and expanding the exhibitor paper -- Coastlander reading : the cultures and trade papers of 1920s Los Angeles -- Chicago takes New York : the consolidation of the nationals -- The great diffusion : Hollywood's reporters, exhibitor backlash, and Quigley's failed monopoly -- Epilogue. 648 7 $a 1900-1999 $2 fast 650 0 $a Journalism and motion pictures. 650 0 $a Motion picture industry $z Los Angeles $z Los Angeles $x History $y 20th century. 650 7 $a Journalism and motion pictures. $2 fast $0 (OCoLC)fst00984112 650 7 $a Motion picture industry. $2 fast $0 (OCoLC)fst01027150 651 7 $a California $z Los Angeles. $2 fast $0 (OCoLC)fst01204540 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Hoyt, Eric. $t Ink-stained hollywood $d Oakland, California : University of California Press, [2022] $z 9780520383708 $w (DLC) 2021040706 941 $a 1 952 $l OVUX522 $d 20231117014446.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=910C22DC664511EDB99D19AA23ECA4DBInitiate Another SILO Locator Search