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03484aam a2200445 i 4500 001 A6289264462211E9A3F20F6897128E48 003 SILO 005 20190314012734 008 181003t20182018fr b 001 0 fre c 010 $a 2018432012 020 $a 2714312012 020 $a 9782714312013 035 $a (OCoLC)1055687743 040 $a AUXAM $b eng $e rda $c AUXAM $d UBY $d LTSCA $d RBN $d UBY $d OCLCF $d ERASP $d DLC $d C3L $d CUY $d FUG $d NUI $d SILO 042 $a pcc 043 $a e-fr--- 050 4 $a PQ671 $b .R278 2018 050 4 $a PQ307.I557 $b R23 2018 050 4 $a PQ116 $b .R23 2018 082 4 $a 840 100 1 $a RabateÌ, Dominique, $e author. 245 13 $a La passion de l'impossible : $b une histoire du reÌcit au XXe sieÌcle / $c Dominique RabateÌ. 246 30 $a Une histoire du reÌcit au vingtieÌme sieÌcle. 264 1 $a Paris : $b EÌditions Corti; $c [2018] 300 $a 253 pages ; $c 22 cm. 490 1 $a Les essais 504 $a Includes bibliographical references and index. 520 $a The aim of this book is to understand why and how a certain history of literary modernity was played out in France in a paradoxical but fruitful relationship with the idea of ââan impossible literature. Initiated by MallarmeÌ and Rimbaud on the side of poetry, it is in narrative prose that this research is pursued under the double patronage of Monsieur Teste de ValeÌry and Paludes de Gide. In this wake, it is a story of the "narrative" that emerges as many leading writers turn away from the novel, which they aggravate the crisis, but without giving up a form of relationship that prohibits a narrative classic or happy. It is this relation to the impossible, which makes itself a relation of the impossible, that this essay envisages for the whole of the twentieth century. It is therefore necessary to identify a paradigm of what will be called "narrative" (a revealing anagram of the word "writing"), to follow its rich and different forms - through surrealism, according to the inflection imposed on it by Battle and Blanchot, or in the vertigo of Beckett's voice - to a sort of exhaustion of this quest that marked the twentieth century, when the clicheÌ and the pathos of the impossible are clicheÌs of a modernity absorbed by his reflexive mirror. In a certain way, we go out of this period, of which we must then measure the way, the dead ends, as well as the extraordinary ambitions, in order to understand the legacy inherited from our time. After having posited the hypothesis of the narrative, I trace, in the first part, the course in a story which proposes the essential scansions and elements of negative definition. The second part focuses on a series of case studies (Bataille, Thomas, Blanchot and Beckett) who are interested in the paradoxical space of the enunciation of these texts. 650 0 $a French fiction $y 20th century $x History and criticism. 650 0 $a French literature $y 20th century $x History and criticism. 650 0 $a Narration (Rhetoric) $x History $y 20th century. 650 6 $a LitteÌrature française $y 20e sieÌcle $x Histoire et critique. 650 6 $a ImpossibiliteÌ. 650 7 $a French literature. $2 fast $0 (OCoLC)fst00934688 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 830 0 $a Essais (JoseÌ Corti (Firm)) 941 $a 1 952 $l OVUX522 $d 20191121023849.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A6289264462211E9A3F20F6897128E48Initiate Another SILO Locator Search