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04159aam a2200469 i 4500 001 063C3690C48911EDAC2163E35EECA4DB 003 SILO 005 20230317010022 008 220429t20212021be a b 001 0 eng d 020 $a 2503581218 020 $a 9782503581217 035 $a (OCoLC)1317679595 040 $a ERASA $b eng $e rda $c ERASA $d ISS $d ZCU $d ISB $d ISS $d JHE $d CDX $d IND $d SILO 050 4 $a N7831 $b .I43 2021 082 04 $a 704.9/482 $2 23 082 04 $a 270 245 00 $a Image as theology : $b the power of art in shaping Christian thought, devotion, and imagination / $c edited by C.A. Strine, Mark McInroy, Alexis Torrance 246 30 $a Power of art in shaping Christian thought, devotion, and imagination 264 1 $a Turnhout, Belgium : $b Brepols, $c [2021] 300 $a 239 pages : $b illustrations (some color) ; $c 29 cm 490 1 $a Arts and the Sacred ; $v 6 500 $a Contributors Jane Heath, Robin Jensen, Mark McInroy, Vittorio Montemaggi, and others 504 $a Includes bibliographical references (pages 219-232) and indexes 505 00 $g Introduction: The place of the image / $r Judith Wolfe. $t the end of images: towards a phenomenology of eschatological expectation / $r Brent A. Strawn - $t Mary's image as theology / $r Jane Heath -- $t early Christian visual theology: iconography of the Trinity and Christ $r Robin M. Jensen -- $t Persons or principles? the meaning of the Byzantine icon revisited / $r Alexis Torrance -- $t The catalytic image: migration, image, and exegetical imagination in the Jacob Narrative (Genesis 25-33) / $r C. A. Strine -- $t Image as theology in Dante's Commedia: praying for each other's good / $r Vittorio Montemaggi -- $t Beholding the radiant invisible: the incarnate image in Maurice Merleau-Ponty, Hans Urs von Balthasar, and Jean-Luc Marion / $r Mark McInroy - $t Brought into the fold / $r Ben Quash -- $t the end of images: towards a phenomenology of eschatological expectation / $r Judith Wolfe. 520 8 $a Our lives are saturated with images. They exert an unparalleled power in contemporary culture. However, the power of images is in fact nothing new. Although texts are often the most important historical sources for academics, the image played an enormous role for those who actually lived in these past societies. Images communicated all manner of concepts and messages to a much wider audience than theological texts. Throughout history, images frequently depicted God, human beings, and their relationship in a manner that was meant to teach theology and inspire awe. Historically speaking, most people who have done theological reflection have done so in intimate conversation with the images seen in sacred spaces. This volume explores how images themselves are theology, how they influence sacred texts and theological concepts in a way that words cannot on their own. In part one, the book presents five essays investigating the ways in which images have shaped sacred and theological texts. In part two, the book offers five discussions of the sort of theological work that images can perform that words are unable to do. The volume concludes by outlining areas for future research and exploration based on the insights achieved among the chapters. The collection is, in its totality, a celebration of how central the image has been in shaping theology and how it should continue to do so 650 0 $a Christian art and symbolism. 650 0 $a Art and religion. 650 0 $a Icons. 650 7 $a Christian art and symbolism $2 fast $0 (OCoLC)fst00858904 650 7 $a Art and religion $2 fast $0 (OCoLC)fst00815425 650 7 $a Icons $2 fast $0 (OCoLC)fst00966768 650 7 $a Theology $2 fast $0 (OCoLC)fst01149559 700 1 $a Strine, C. A. $q (Casey Alan), $d 1975- $e editor. 700 1 $a McInroy, Mark, $e author. $e author. 700 1 $a Torrance, Alexis, $d 1985- $e editor. 700 1 $a Heath, Jane, $e author. 700 1 $a Jensen, Robin Margaret, $d 1952- $e author. 700 1 $a Montemaggi, Vittorio, $e author. 830 0 $a Arts and the sacred (Series) ; $v 6. 941 $a 1 952 $l OVUX522 $d 20231117014411.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=063C3690C48911EDAC2163E35EECA4DBInitiate Another SILO Locator Search