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03647aam a2200457 i 4500 001 0303A814E96E11E8978F920F97128E48 003 SILO 005 20181116010210 008 180507t20182018inug b 001 0 eng c 010 $a 2018020684 020 $a 0253033152 020 $a 9780253033154 020 $a 0253033144 020 $a 9780253033147 035 $a (OCoLC)1007044328 040 $a ICU/DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCF $d OCLCO $d RES $d YUS $d EAU $d OCLCA $d SILO 042 $a pcc 043 $a e-gx--- 050 00 $a ML410.B8 $b S42 2018 082 00 $a 784.092 $2 23 100 1 $a Sholes, Jacquelyn, $e author. 245 10 $a Allusion as narrative premise in Brahms's instrumental music / $c Jacquelyn E.C. Sholes. 264 1 $a Bloomington, Indiana : $b Indiana University Press, $c [2018] 300 $a xi, 256 pages : $b music ; $c 24 cm. 490 1 $a Musical meaning and interpretation 504 $a Includes bibliographical references (pages [233]-248) and index. 505 0 $a The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical model, an emerging soloist, a young composer in turmoil: the piano -- Concerto in D minor, op. 15 -- A later example: tragic antiquarianism in Brahms's fourth symphony. 520 $a Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E.C. Sholes provides a fresh look at the ways in whcih Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahm's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahm's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J.S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history--back cover. 600 10 $a Brahms, Johannes, $d 1833-1897 $x Criticism and interpretation. 600 10 $a Brahms, Johannes, $d 1833-1897. $t Instrumental music. 600 17 $a Brahms, Johannes, $d 1833-1897. $2 fast $0 (OCoLC)fst00039029 630 07 $a Instrumental music (Brahms, Johannes) $2 fast $0 (OCoLC)fst01366394 650 0 $a Instrumental music $z Germany $x History and criticism. 650 7 $a Instrumental music. $2 fast $0 (OCoLC)fst00974414 651 7 $a Germany. $2 fast $0 (OCoLC)fst01210272 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Online version: $a Sholes, Jacquelyn, author. $t Allusion as narrative premise in Brahms's instrumental music $d Bloomington : Indiana University Press, 2018 $z 9780253033161 $w (DLC) 2018023068 830 0 $a Musical meaning and interpretation. 941 $a 1 952 $l OVUX522 $d 20191210021943.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0303A814E96E11E8978F920F97128E48Initiate Another SILO Locator Search