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03423aam a2200493Ii 4500 001 C5491C7E0C2C11EAA2E5F95597128E48 003 SILO 005 20191121010049 008 181120t20192019onca b 001 0 eng d 020 $a 9781487503888 020 $a 1487503881 035 $a (OCoLC)1065941490 040 $a YDX $b eng $e rda $c YDX $d BDX $d NLC $d OCLCO $d OCLCQ $d OCLCF $d MNG $d EYM $d YDXIT $d LTSCA $d UtOrBLW $d SILO 043 $a e-it--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-it 050 4 $a PN2679 $b .B47 2019 055 8 $a PN2091.S8 $b B479 2019 082 04 $a 792.09450903 $2 23 082 04 $a 792.02/5 $2 23 084 $a cci1icc $2 lacc 084 $a coll13 $2 lacc 100 1 $a Berzal de Dios, Javier, $d 1977- $e author. 245 10 $a Visual Experiences in Cinquecento Theatrical Spaces / $c Javier Berzal de Dios. 264 1 $a Toronto : $b University of Toronto Press, $c [2019] 300 $a xii, 203 pages : $b illustrations ; $c 24 cm. 490 1 $a Toronto Italian studies 504 $a Includes bibliographical references and index. 505 0 $a Introduction: Striking the Stage -- Magic and Mimesis: La Calandria and the Idea of Rome -- The Artificial City on Stage -- Palladio, Scamozzi, and the Built Theatre as Enclosure -- The Medici Theatres, Political Aspirations, and Cognitive Autonomy. 520 $a "Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period's philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers."-- $c Provided by publisher. 650 0 $a Theater $z Italy $x History $y 16th century. 650 0 $a Theaters $x History $z Italy $x History $y 16th century. 650 0 $a Theater audiences. $0 http://id.loc.gov/authorities/subjects/sh85134569 650 0 $a Italian drama $y To 1700 $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008104987 650 7 $a Italian drama. $2 fast $0 (OCoLC)fst00980456 650 7 $a Theater. $2 fast $0 (OCoLC)fst01149217 650 7 $a Theater audiences. $2 fast $0 (OCoLC)fst01149328 650 7 $a Theaters $x Stage-setting and scenery. $2 fast $0 (OCoLC)fst01149404 651 7 $a Italy. $2 fast $0 (OCoLC)fst01204565 648 7 $a To 1700 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 830 0 $a Toronto Italian studies. $0 http://id.loc.gov/authorities/names/n95026425 941 $a 1 952 $l OVUX522 $d 20191213022829.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C5491C7E0C2C11EAA2E5F95597128E48Initiate Another SILO Locator Search