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02056aam a2200361 i 4500 001 938B98B6246D11E5A97E42B6DAD10320 003 SILO 005 20150707010042 008 131212s2014 nyu bk 000 0 eng 010 $a 2013049575 020 $a 1623562589 (pbk. : alk. paper) 020 $a 9781623562588 (pbk. : alk. paper) 035 $a (OCoLC)857938881 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d BDX $d YDXCP $d OHRRH $d OCLCO $d CHVBK $d STF $d AU@ $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ML421.B38 $b S26 2014 082 00 $a 782.42166092/2 $2 23 100 1 $a Sanchez, Luis A. 245 10 $a Smile / $c Luis Sanchez. 264 1 $a New York : $b Bloomsbury Academic, $c 2014. 300 $a viii, 130 pages ; $c 17 cm. 490 1 $a 33 1/3 504 $a Includes bibliographical references and discography. 520 $a Smile is not merely a great unfinished album, but a living work of art that is all at once expansive, indeterminate, and resolutely pop. In the early 1960s, The Beach Boys rose from the suburbs of Hawthorne, California to become emissaries of a post-war American dream that fused middle-class aspiration and mobility with images of youth. Led by dream master Brian Wilson, their music gave voice to a Southern California mythos and compelled an audience across the nation and beyond to live out their own versions of the fantasy. By 1966, the encroaching counterculture added new dimensions of creative possibility to popular music. Looking to revise and expand, Brian Wilson sought collaboration with a brilliant musician named Van Dyke Parks. Together they began work on Smile, an ambitious album of music that refracted The Beach Boys' naiÌvet. 610 20 $a Beach Boys. 610 20 $a Beach Boys. $t Smile. 610 27 $a Beach Boys. $t Smile. $0 (DE-588)7743782-2 $2 gnd 650 0 $a Rock music $z United States $y 1961-1970 $x History and criticism. 830 0 $a 33 1/3. 941 $a 1 952 $l OVUX522 $d 20231219012050.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=938B98B6246D11E5A97E42B6DAD10320Initiate Another SILO Locator Search