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03320aam a2200421 i 4500 001 EB571AA2083E11EABF3FA51A97128E48 003 SILO 005 20191116010051 008 180918s2019 txu s001 0deng 010 $a 2018044437 020 $a 147731654X 020 $a 9781477316542 035 $a (OCoLC)1053856034 040 $a DLC $b eng $e rda $c DLC $d BDX $d OCLCF $d OCLCO $d ORX $d SLV $d IKM $d HQD $d TJC $d JTH $d UtOrBLW $d SILO 042 $a pcc 050 00 $a ML82 $b .G64 2019 $0 http://id.loc.gov/authorities/classification/M 082 00 $a 781.66082 $2 23 086 $a Z UA380.8 G569re $2 txdocs 100 1 $a Goldman, Vivien, $e author. $0 http://id.loc.gov/authorities/names/n81100407 245 10 $a Revenge of the she-punks : $b a feminist music history from Poly Styrene to Pussy Riot / $c Vivien Goldman. 250 $a First edition. 264 1 $a Austin : $b University of Texas Press, $c 2019. 300 $a 210 pages ; $c 22 cm 500 $a Includes index. 505 0 $a Womanifesto : The opening vamp -- Girly identity : Who be me? -- Money : Are we our stuff? -- Love/unlove : Busting up the binary -- Protest : Woman the barricades -- Outro : Our coda. 520 $a "As an industry insider and pioneering post-punk musician, Vivien Goldmanâs perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themesâidentity, money, love, and protestâto explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britainâs first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song "Free Money," for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem "Identity," with the refrain "Identity is the crisis you can't see." Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour."--Amazon.com. 650 0 $a Punk rock music $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2001006026 650 0 $a Feminism and music. $0 http://id.loc.gov/authorities/subjects/sh85047749 650 0 $a Women punk rock musicians. $0 http://id.loc.gov/authorities/subjects/sh2016002648 650 0 $a Punk rock musicians. $0 http://id.loc.gov/authorities/subjects/sh00000579 650 7 $a Feminism and music. $2 fast $0 (OCoLC)fst00922744 650 7 $a Punk rock music. $2 fast $0 (OCoLC)fst01084153 650 7 $a Punk rock musicians. $2 fast $0 (OCoLC)fst01084156 650 7 $a Women punk rock musicians. $2 fast $0 (OCoLC)fst01941560 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 941 $a 1 952 $l OVUX522 $d 20191213014431.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=EB571AA2083E11EABF3FA51A97128E48Initiate Another SILO Locator Search