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03245aam a2200445Ii 4500 001 FFA2CFB6323411EC8B1165C359ECA4DB 003 SILO 005 20211021010114 008 201009t20202020gw a bc 000 0 eng d 020 $a 9783960988915 020 $a 3960988915 035 $a (OCoLC)1199328038 040 $a YDX $b eng $e rda $c YDX $d ERASA $d OHX $d EQO $d OCLCO $d JPG $d OCLCO $d OCLCF $d UKTTE $d HFL $d CMA $d SILO 050 4 $a TR647 $b .S74 2020 080 $a 7 STEZ ETG 082 04 $a 700.411 245 00 $a John Stezaker : $b at the edge of pictures / $c Yuval Etgar. 246 30 $a At the edge of pictures 264 1 $a KoÂln : $b Verlag der Buchhandlung Walther und Franz KoÂnig, $c 2020. 300 $a 175 pages : $b illustrations (some color) ; $c 24 m 504 $a Includes bibliographical references (pages 168-174). 500 $a Publication coincides with the exhibition At the Edge of Pictures: John Stezaker, Works 1975-1990 at Luxembourg + Co., London, 2 October-5 December 2020. 520 8 $a John Stezaker is one of the most distinguished voices in the history of image-based collage. Since the 1970s Stezaker's work has occupied a unique position in the face of radical changes in the economy of popular visual culture and its implications on the value of "found" imagery in art. Faced with the post-conceptual crisis of the mid-1970s, Stezaker came to reject the prevailing tendency among his British contemporaries towards agitprop photomontage, promoted in the name of punk, anarchism and second-wave feminism. He also positioned himself at a distance from the North American Pictures Generation artists with whom he had a meaningful exchange during this period, and in whose narrative he remains something of a missing link to this day. Stezaker was gradually to become consumed by a different enquiry altogether - one that was, and remains, invested in the possibility of reviving the mechanically reproduced image and exploring its potentials as an outmoded visual currency that is shifting out of circulation in favour of new technologies and alternative modes of image distribution. Exhibition: Luxembourg + Co., London, UK (01.10 - 05.12.2020). 505 0 $a Severed head: a prologue -- A Photo Roman (1967-77) -- The trial (1978-84) -- At the edge of pictures -- Split ends, 2017: a conversation with John Stezaker and Richard Prince. 600 10 $a Stezaker, John, $d 1949- $v Exhibitions. 600 10 $a Stezaker, John, $d 1949- $x Criticism and interpretation. 600 17 $a Stezaker, John, $d 1949- $2 fast $0 (OCoLC)fst01917176 650 0 $a Photography, Artistic $v Exhibitions. 650 0 $a Photocollage $v Exhibitions. 650 7 $a Photocollage. $2 fast $0 (OCoLC)fst01061527 650 7 $a Photography, Artistic. $2 fast $0 (OCoLC)fst01061964 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 655 7 $a Exhibition catalogs. $2 lcgft 700 1 $a Etgar, Yuval, $e author. 700 12 $a Stezaker, John, $d 1949- $t Photographs. $k Selections. 710 2 $a Luxembourg + Co. (London, England), $e host institution. 941 $a 1 952 $l OVUX522 $d 20231117011808.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FFA2CFB6323411EC8B1165C359ECA4DBInitiate Another SILO Locator Search