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03529aam a2200529 i 4500 001 870C36348FC011ECBA4AA6A62FECA4DB 003 SILO 005 20220217010136 008 201007t20212021pau b 001 0 eng 010 $a 2020043905 020 $a 0812253086 020 $a 9780812253085 035 $a (OCoLC)1199328705 040 $a PU/DLC $b eng $e rda $c DLC $d OCLCO $d BDX $d OCLCF $d OCLCO $d ERASA $d YDX $d OCLCO $d RES $d NUI $d SILO 042 $a pcc 050 00 $a PN56.S7416 $b S73 2021 082 00 $a 781.1/7 $2 23 100 1 $a Stanyon, Miranda, $d 1984- $e author. 245 10 $a Resounding the sublime : $b music in English and German literature and aesthetic theory, 1670-1850 / $c Miranda Eva Stanyon. 264 1 $a Philadelphia : $b University of Pennsylvania Press, $c [2021] 300 $a x, 274 pages ; $c 24 cm. 490 1 $a Sound in history 520 $a "Focusing on English and German texts and the intricate relationships between them, this book seeks to reread-or, perhaps better, re-sound-sublimity through the lens of music, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century and their reverberations in the nineteenth century. Closely reading a series of canonical and little-known literary and critical texts in dialogue with musical cultures, the book offers new perspectives on the sublime as a transdisciplinary, transmedial, and transcultural phenomenon. In doing so, it argues for the importance of sonic models to the sublime; it traces harmonious, discordant, and resolutely silent varieties of sublimity; and it suggests resonances between past sublimes and current aesthetics and ethics"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Chapter 1. Music as a "bastard imitation of persuasion"? Power and legitimacy in Dryden and Dennis -- Chapter 2. "What passion cannot musick raise and quell!" Passionate and dispassionate sublimity with the Hillarians and Handelians -- Chapter 3. Reforming aesthetics : Bodmer and Breitinger's anti-musical sublime -- Chapter 4. Klopstock, rustling, and the antiphonal sublime -- Chapter 5. The beauty of the infinite : Herder's sublimely-beautiful, beautifully-sublime music -- Chapter 6. The terror of the infinite : Thomas De Quincey's reverberations. 630 00 $a Aesthetics in music. 648 7 $a 1700-1799 $2 fast 650 0 $a Sublime, The, in literature. 650 0 $a Sublime, The, in music. 650 0 $a English literature $y 18th century $x History and criticism. 650 0 $a German literature $y 18th century $x History and criticism. 650 0 $a Music in literature. 650 0 $a Sublime, The $x History $y 18th century. 650 0 $a Aesthetics in literature. 650 7 $a Aesthetics in literature. $2 fast $0 (OCoLC)fst00798734 650 7 $a English literature. $2 fast $0 (OCoLC)fst00911989 650 7 $a German literature. $2 fast $0 (OCoLC)fst00941797 650 7 $a Music in literature. $2 fast $0 (OCoLC)fst01030552 650 7 $a Sublime, The. $2 fast $0 (OCoLC)fst01136594 650 7 $a Sublime, The, in literature. $2 fast $0 (OCoLC)fst01136597 650 7 $a Sublime, The, in music. $2 fast $0 (OCoLC)fst01746828 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a Sound in history. 941 $a 1 952 $l OVUX522 $d 20231117012920.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=870C36348FC011ECBA4AA6A62FECA4DBInitiate Another SILO Locator Search