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03815aam a2200589 i 4500 001 4A2558300CD411EEAAE9666853ECA4DB 003 SILO 005 20230617010022 008 211110s2022 maua b 001 0 eng 010 $a 2021054474 020 $a 1613769407 020 $a 9781613769409 020 $a 1613769393 020 $a 9781613769393 020 $a 162534662X 020 $a 9781625346629 020 $a 1625346611 020 $a 9781625346612 035 $a (OCoLC)1285121507 040 $a DLC $b eng $e rda $c DLC $d OCLCF $d ERASA $d OCLCO $d XII $d YDX $d BKL $d ZLM $d NUI $d SILO 042 $a pcc 050 00 $a PN3427 $b .W55 2022 082 00 $a 808.3 $2 23/eng/20211220 100 1 $a Wilkins, Kim, $e author. 245 10 $a Genre worlds : $b popular fiction and twenty-first-century book culture / $c Kim Wilkins, Beth Driscoll, Lisa Fletcher. 264 1 $a Amherst : $b University of Massachusetts Press, $c [2022] 300 $a xi, 233 pages : $b illustrations ; $c 24 cm. 490 1 $a Page and screen 520 $a "Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field-the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates-and show how these interact with older practices, from fan conventions to writers' groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction's most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 203-222) and index. 505 0 $a Prologue : Getting Hooked and Reading On -- A Theory of Genre Worlds -- Genre Worlds and the Publishing Industry -- Transnational and Transmedia Genre Worlds -- Community and Creativity -- Genre Sociality Online and in Person -- Genre Worlds on the Page -- Genre Worlds and Change -- Appendix: Case Studies. 648 7 $a 2000-2099 $2 fast 650 0 $a Fiction genres. 650 0 $a Fiction $x Publishing. 650 0 $a Fiction $x Authorship. 650 0 $a Fiction $x Social aspects. 650 0 $a Books and reading $x History $y 21st century. 650 7 $a Books and reading. $2 fast $0 (OCoLC)fst00836454 650 7 $a Fiction $x Authorship. $2 fast $0 (OCoLC)fst00923713 650 7 $a Fiction genres. $2 fast $0 (OCoLC)fst00923772 650 7 $a Fiction $x Publishing. $2 fast $0 (OCoLC)fst00923744 650 7 $a Fiction $x Social aspects. $2 fast $0 (OCoLC)fst00923749 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 655 7 $a Literary criticism. $2 fast $0 (OCoLC)fst01986215 655 7 $a Literary criticism. $2 lcgft 776 08 $i Online version: $a Wilkins, Kim. $t Genre worlds $d Amherst : University of Massachusetts Press, [2022] $z 9781613769393 $w (DLC) 2021054475 700 1 $a Driscoll, Beth, $e author. 700 1 $a Fletcher, Lisa, $d 1972- $e author. 830 0 $a Page and screen. 941 $a 1 952 $l OVUX522 $d 20231117032007.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4A2558300CD411EEAAE9666853ECA4DBInitiate Another SILO Locator Search