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04107aam a2200493 i 4500 001 A59F0C92DA3111EB950CCE9F56ECA4DB 003 SILO 005 20210701010029 008 190708t20202020nyua b 001 0 eng 010 $a 2019029138 020 $a 1479890804 020 $a 9781479890804 020 $a 1479892327 020 $a 9781479892327 035 $a (OCoLC)1110672120 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d YDX $d TOH $d YDX $d GZN $d TJC $d LNT $d IMD $d TDF $d LML $d SILO 042 $a pcc 050 00 $a ML3918.J39 $b B65 2020 082 00 $a 781.65089/96073 $2 23 100 1 $a Booker, Vaughn A., $e author. 245 10 $a Lift every voice and swing : $b Black musicians and religious culture in the jazz century / $c Vaughn A. Booker. 264 1 $a New York : $b New York University Press, $c [2020] 300 $a 331 pages : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references (pages 309-317) and index. 505 0 $a Introduction -- Part I. Representations of religion and race. "Jazzing religion" ; "Get happy, all you sinners" ; "Tears of joy" ; "Royal ancestry" -- Part II. Missions and legacies. God's messenger boy ; "Is God a three-letter word for love?" ; Jazz communion ; Accounting for the vulnerable ; Virtuoso ancestors -- Conclusion: Black artistry and religious culture. 520 $a "Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century. Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals--such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams--inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity"--Publisher's website. 650 0 $a Jazz $x Christianity. $x Christianity. 650 0 $a African Americans $x Religion. 650 0 $a African Americans $x Christianity. $x Religious aspects $x Christianity. 600 10 $a Calloway, Cab, $d 1907-1994. 600 10 $a Ellington, Duke, $d 1899-1974. 600 10 $a Gillespie, Dizzy, $d 1917-1993. 600 10 $a Williams, Mary Lou, $d 1910-1981. 650 7 $a BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. $2 bisacsh 600 17 $a Calloway, Cab, $d 1907-1994. $2 fast $0 (OCoLC)fst00087231 600 17 $a Ellington, Duke, $d 1899-1974. $2 fast $0 (OCoLC)fst00019509 600 17 $a Gillespie, Dizzy, $d 1917-1993. $2 fast $0 (OCoLC)fst00011419 600 17 $a Williams, Mary Lou, $d 1910-1981. $2 fast $0 (OCoLC)fst00087681 650 7 $a African Americans $x Religion. $2 fast $0 (OCoLC)fst00799689 650 7 $a Jazz $x Christianity. $x Christianity. $2 fast $0 (OCoLC)fst02007100 941 $a 1 952 $l UNUX074 $d 20210701010521.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A59F0C92DA3111EB950CCE9F56ECA4DB 994 $a Z0 $b NIUInitiate Another SILO Locator Search