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03841aam a2200445Ii 4500 001 498950F2AF9911EAB597040797128E48 003 SILO 005 20200616010411 008 190702t20192019gw b 001 0 eng d 020 $a 3631655010 020 $a 9783631655016 035 $a (OCoLC)1107359875 040 $a YDX $b eng $e rda $c YDX $d YDXIT $d OCLCF $d OHX $d ICW $d ERASA $d PTS $d OCLCQ $d OCL $d OCLCQ $d PSC $d SILO 050 4 $a PN2051 $b .D33 2019 050 $a PN1751 082 04 $a 792.01 $2 23 100 1 $a DąbroÌwka, Andrzej, $e author. 245 10 $a Theater and the sacred in the Middle Ages / $c Andrzej DąbroÌwka ; translated by Jan BurzynÌski and MikoÅaj Golubiewski. 264 1 $a Berlin : $b Peter Lang, $c [2019] 300 $a 574 pages ; $c 22 cm. 490 1 $a Interdisciplinary studies in performance ; $v vol. 20 504 $a Includes bibliographical references (pages 507-548) and index. 505 0 $a Part I. Literature and history -- A philological exercise -- Language and history : the cognitive turn -- Pious spectacle -- The sacred -- Forms of devotion -- Part II. Changes in the ontology of the sacred -- The ontology of the sacred -- The sources of the spiritualization process -- The material symbol and the linguistic sign -- The stages of spiritualization -- The transcendentalization of the sacred as a civilizational transformation -- Part III. The profane : the human estate -- Lower tiers of sacrality -- The new place for people in nature -- From the universalism of obedience to the pluralism of predictability -- Confraternities as media in the civilizing process -- Part IV. The aesthetics of recapitulation : to inscribe into the living hearts -- Theatrica -- Spectator, participant, co-author -- The incarnational aesthetics of the theatrical performance -- The aesthetics of articulation and factuality -- Knowledge of the miracle -- Recapitulation and creativity -- Part V. Spirituality and subjectivity in drama -- The forms of devotion and drama -- The mystery play -- The miracle play -- The morality play -- The recapitulatory drama -- The farce -- Concluding remarks -- Bibliography -- Index. 520 $a "The book presents a theory of relationship between the forms of devotion and early drama genres. The historical background is the circumstances of the Church becoming independent of the Empire. A theological and philosophical aspect of the transformation of piety at the time was the specification of the ontological status of the sacred (spiritualization) and "shifting it to Heaven" (transcendentalization). In opposition to a theory of Western civilization as a process of increasing individual self-control, the author argues for the need to take into account purely religious conditions (the idea of recapitulation). This allows the author to develop a holistic aesthetics for the religiously inspired creativity in the period spanning the 11th-15th centuries and to propose a new typology of medieval drama."-- $c Provided by publisher. 650 0 $a Theater $x Christianity. $x Christianity. 650 0 $a Drama, Medieval $x History and criticism. 650 0 $a Theater $x History $y Medieval, 500-1500. 650 7 $a Theater $x Medieval. $2 fast $0 (OCoLC)fst01906572 650 7 $a Drama, Medieval. $2 fast $0 (OCoLC)fst00897538 650 7 $a Theater $x Christianity. $x Christianity. $2 fast $0 (OCoLC)fst01149291 648 7 $a 500-1500 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 1 $a BurzynÌski, Jan, $e translator. 700 1 $a Golubiewski, MikoÅaj, $d 1985- $e translator. 830 0 $a Interdisciplinary studies in performance ; $v vol. 20. 941 $a 1 952 $l OZAX845 $d 20240525041822.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=498950F2AF9911EAB597040797128E48 994 $a 92 $b IOOInitiate Another SILO Locator Search