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03046aam a2200385 i 4500 001 DB85B202E19111E89124B82197128E48 003 SILO 005 20181106010116 008 180205s2018 mnua bq 001 0 eng 010 $a 2018001921 020 $a 0816689210 020 $a 9780816689217 020 $a 0816689199 020 $a 9780816689194 035 $a (OCoLC)1022075666 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCQ $d OCLCO $d OCLCF $d NYP $d YDX $d OCLCO $d BDX $d OBE $d SILO 042 $a pcc 043 $a e-fr--- 050 00 $a PN1995.9 D6 U395 2018 100 1 $a Ungar, Steven, $d 1945- $e author. 245 10 $a Critical mass : $b social documentary in France from the silent era to the new wave / $c Steven Ungar. 246 30 $a Social documentary in France from the silent era to the new wave 264 1 $a Minneapolis, MN : $b University of Minnesota Press, $c [2018] 300 $a xxii, 300 pages : $b illustrations ; $c 26 cm 504 $a Includes bibliographical references (pages 243-276), filmography (pages 277-286) and index. 505 0 $a Introduction : Primal Scenes and Establishing Shots -- A First Wave : Documentary Paris in the Shadow of the Talkies. Somewhere Else : Georges Lacombe and La Zone (1928) -- The Ambiguities of Pure Cinema -- Paris by Night : Les Halles centrales (Boris Kaufman, 1928) -- Visualizing Paris Anew. Moving In, Moving Out : AndreÌ Sauvage and EÌtudes sur Paris (1928) -- In Thrall to the Silent Image -- Sunday in the Country : Marcel CarneÌ and Nogent, Eldorado du dimanche (1929) -- Through the Window -- Transition I. Networking, 1929-1930 -- "All the World's Misery". The End of the World -- A Kick in the Pants to Open Our Eyes : AÌ propos de Nice (Jean Vigo, 1930) -- Sweet Children of Misery : Aubervilliers (Eli Lotar, 1946) -- The Slaughterhouse Photos -- Transition II. Popular Front--Vichy--Postwar -- Colonial Cinema and Its Discontents. Making Waves : Afrique 50 (ReneÌ Vautier, 1950) -- "We Martians of Africa" : Les Statues meurent aussi (Alain Resnais and Chris Marker, 1953) -- Whose Voice? Whose Film? Moi, un Noir (Jean Rouch, 1958) -- Transition III. The Group of Thirty -- Two Takes on Postwar Paris. Scenes in a Library : Toute la meÌmoire du monde (Alain Resnais, 1956) -- Other Scenes in a Library -- Paris Springtime Zero : Le Joli Mai (Chris Marker, 1963) -- A Hard Left -- Afterthoughts : A Radical Lyricism -- Acknowledgments -- Appendix A. Declaration of the Group of Thirty -- Appendix B. Quality Subsidy Study : Short-Subject Advantages. 650 0 $a Documentary films $z France $x History and criticism. 650 0 $a Motion pictures $x Social aspects $z France. 651 0 $a France $x Social conditions. 776 08 $i Online version: $a Ungar, Steven, 1945- $t Critical mass. $d Minneapolis : University of Minnesota Press, [2018] $z 9781452956923 $w (DLC) 2018005635 941 $a 2 952 $l OVUX522 $d 20191120041733.0 952 $l USUX851 $d 20190103015635.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DB85B202E19111E89124B82197128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search