The Locator -- [(subject = "Civilization Western--Philosophy")]

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05025aam a2200601 i 4500
001 A064FDE6CF3111EB9A1890BA3BECA4DB
003 SILO
005 20210617010040
008 200212t20202020enkaf    b    001 0 eng d
010    $a 2019467642
020    $a 1789620392
020    $a 9781789620399
035    $a (OCoLC)1141459955
040    $a SHS $b eng $e rda $c SHS $d OCLCO $d BDX $d SYB $d CUI $d YDX $d OCLCF $d UKMGB $d UAB $d VLW $d MTG $d CHVBK $d OCLCO $d DLC $d QGE $d OCLCQ $d IL4J6 $d OCLCO $d BDF $d OCLCO $d NUI $d SILO
043    $a e------ $a e------
050  4 $a N6415.B3 $b C38 2020
050  4 $a PQ2105.A2 $b S8 2020
082 04 $a 840.5 $2 23
100 1  $a Caviglia-Brunel, Susanna, $d 1973- $e author.
245 10 $a History, painting, and the seriousness of pleasure in the age of Louis XV / $c Susanna Caviglia.
264  1 $a Oxford : $b Published by Liverpool University Press : $c [2020]
300    $a xxii, 281 pages, 22 unnumbered pages of plates (color) : $b illustrations (black and white) ; $c 24 cm
490 1  $a Oxford University Studies in the Enlightenment, $x 0435-2866 ; $v 2020:02
504    $a Includes bibliographical references (pages 253-268) and index.
505 0  $a List of illustrations -- Acknowledgments -- Introduction. Historical perspective: the peaceable kingdom of Louis XV ; The painters ; Toward a new artistic idiom -- I. Historia in stasis. Chapter 1. The action de repos. Prolegomena to the theory and practice ; Meditation, contemplation ; The dynamic body suspended ; Narrative disrupted ; Moments in the present and the future -- Chapter 2. Corporeality and repose. Fontenelle's ideal ; Corporeal conversations ; Figures of seduction ; The expression of repose ; From narrative representation to figural presentation -- II. The figure in artistic practice. Chapter 3. Figure/study/artwork ; Copying the figure ; The whole and the part ; The emergence of corporeal repose ; The new body language -- Chapter 4. The story beyond the figure. From study to subject ; Autonomous figures in painting ; Repertoires of models ; Life study and historical subject -- III. The fabrication of a new grand genre. Chapter 5. Before the painting ; The figure: from the idea to the painting ; The emergence of new creative practices ; The single body and the multiplication of bodies ; The figure: from reuse to quotation -- Chapter 6. Epilogue: on novelty in painting. Brand new beauties ; The painting of the present -- Bibliography -- Index.
520    $a French painting of Louis XV's reign (1723-1774), generally categorized by the term rococo, has typically been understood as an artistic style aimed at furnishing courtly society with delightful images of its own frivolous pursuits. Instead, this book shows the significance and seriousness underpinning the notion of pleasure embedded in eighteenth-century history painting. During this time, pleasure became a moral ideal grounded not only in domestic life but also defining a range of social, political, and cultural transactions oriented toward transforming and improving society at large. History, painting, and the seriousness of pleasure in the age of Louis XV reconsiders the role of history painting in creating a new visual language that presented peace and happiness as an individual's natural right in the aftermath of Louis XIV's bellicose reign (1643-1715). In this new study, Susanna Caviglia reinvestigates the artistic practices of an entire generation of painters born around 1700 (e.g., François Boucher, Charles-Joseph Natoire, and Carle Vanloo) in order to highlight the cultural forces at work within their now iconic images. -- Publisher.
501    $a Bound with: The Emergence of a theatrical science of man in France, 1660–1740; and, Enlightenment Virtue, 1680-1794.
650  0 $a Pleasure in art.
650  0 $a Art, Baroque.
650  0 $a Art, Rococo.
650  0 $a Civilization, Western $x Philosophy.
651  0 $a France $x History.
651  0 $a Europe $x History.
650  0 $a History, Modern $y 18th century.
650  0 $a Enlightenment.
650  0 $a Enlightenment $z France.
600 00 $a Louis $b XV, $c King of France, $d 1710-1774.
600 07 $a Louis $b XV, $c King of France, $d 1710-1774. $2 fast $0 (OCoLC)fst00019562
650  7 $a Art, Baroque. $2 fast $0 (OCoLC)fst00815997
650  7 $a Art, Rococo. $2 fast $0 (OCoLC)fst00816803
650  7 $a Civilization, Western $x Philosophy. $2 fast $0 (OCoLC)fst00863161
650  7 $a Enlightenment. $2 fast $0 (OCoLC)fst00912527
650  7 $a History, Modern. $2 fast $0 (OCoLC)fst00958367
650  7 $a Pleasure in art. $2 fast $0 (OCoLC)fst01067088
651  7 $a Europe. $2 fast $0 (OCoLC)fst01245064
651  7 $a France. $2 fast $0 (OCoLC)fst01204289
648  7 $a 1700-1799 $2 fast
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
773 18 $w 990075856550202771 $g no:31858071206753
830  0 $a Oxford University studies in the Enlightenment ; $v 2020:02. $x 0435-2866
941    $a 1
952    $l OVUX522 $d 20220317020736.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A064FDE6CF3111EB9A1890BA3BECA4DB

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