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02788aam a2200349Ii 4500 001 52A06FBC8E9811EAB83BD64B97128E48 003 SILO 005 20200505011818 008 191021t20192019sp a bc 000 0ceng d 020 $a 841717334X 020 $a 9788417173340 035 $a (OCoLC)1126341014 040 $a C3L $b eng $e rda $c C3L $d FNE $d MZA $d FXM $d OCLCF $d OCL $d OSU $d YDXIT $d CHVBK $d OCLCO $d TXI $d SILO 043 $a e-fr--- 050 4 $a ND547.5 I4 I1469 2019 245 04 $a The Impressionists and photography / $c Paloma AlarcoÌ ; exhibition curator, Paloma AlarcoÌ. 264 1 $a [Madrid] : $b Museo Nacional Thyssen-Bornemisza, $c [2019] 300 $a 287 pages : $b illustrations (some color), portraits (some color) ; $c 28 cm 500 $a Catalog of an exhibition held at Museo Thyssen-Bornemisza, Madrid, Spain, October 15, 2019-January 26, 2020. 504 $a Includes bibliographical references (pages 284-286). 520 $a From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the AcadeÌmie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, EugeÌne Cuvelier, Nadar, Atget and AndreÌ-Adolphe-EugeÌne DisdeÌri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photography pursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century. 650 0 $a Impressionism (Art) $z France $v Exhibitions. 650 0 $a Art and photography $v Exhibitions. 650 0 $a Painting, French $y 19th century $v Exhibitions. 650 0 $a Painting, French $y 20th century $v Exhibitions. 700 1 $a AlarcoÌ, Paloma, $e curator. $e writer of added text, $e curator. 710 2 $a Museo Thyssen-Bornemisza, $e host institution. 941 $a 2 952 $l OVUX522 $d 20220317013756.0 952 $l USUX851 $d 20201103015034.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=52A06FBC8E9811EAB83BD64B97128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search