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04058aam a2200541 i 4500 001 D98DB05096FD11ED8856CD373CECA4DB 003 SILO 005 20230118010046 008 220104t20222022nyua b 001 0 eng 010 $a 2021059632 020 $a 1032106069 020 $a 9781032106069 020 $a 1032081295 020 $a 9781032081298 035 $a (OCoLC)1288195602 040 $a DLC $b eng $e rda $c DLC $d BDX $d UKMGB $d YDX $d OCLCF $d CDX $d YDX $d SILO 042 $a pcc 043 $a e-it--- $a e-it--- 050 00 $a N6918 $b .B384 2022 082 00 $a 709.45/0904 $2 23/eng/20220521 100 1 $a Bedarida, Raffaele, $d 1979- $e author. 245 10 $a Exhibiting Italian art in the United States from Futurism to Arte povera : $b 'like a giant screen' / $c Raffaele Bedarida. 264 1 $a New York : $b Routledge, Taylor & Francis Group, $c 2022. 300 $a xv, 227 pages : $b illustrations (black and white) ; $c 26 cm. 490 1 $a Routledge research in art museums and exhibitions 500 $a Based on the author's thesis (doctoral)--City University of New York, 2016, under the title: Export/import : the promotion of contemporary Italian art in the United States, 1935-1969. 504 $a Includes bibliographical references and index. 505 0 $a (Prelude): "I Will Smash The Alps of the Atlantic:" Futurist Depero and Italian Americanism -- Exporting Fascist Culture/Importing American Modernity -- MoMA and the Post-War Rehabilitation of Italy -- Tu Vuo Fa l'Americano: Catherine Viviano, Irene Brin, and Italian Art's Conquest of Hollywood -- Transatlantic Arte Povera: The Trojan Horse of Germano Celant. 520 $a "This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting -literally and figuratively - contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the US, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world's new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies"-- $c Provided by publisher. 650 0 $a Art, Italian $y 20th century $x Exhibitions. 650 0 $a Art publicity $z United States $x History $y 20th century. 650 0 $a Exhibitions $z United States $x History $y 20th century. 651 0 $a Italy $x Relations $z United States. 651 0 $a United States $x Relations $z Italy. 650 6 $a Art italien $y 20e siecle $v Expositions. 650 7 $a Art, Italian $x Exhibitions. $2 fast $0 (OCoLC)fst00816442 650 7 $a Art publicity. $2 fast $0 (OCoLC)fst00815793 650 7 $a Exhibitions. $2 fast $0 (OCoLC)fst00918097 650 7 $a International relations. $2 fast $0 (OCoLC)fst00977053 651 7 $a Italy. $2 fast $0 (OCoLC)fst01204565 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 648 7 $a 1900-1999 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Bedarida, Raffaele, 1979- $t Exhibiting Italian art in the United States from Futurism to Arte povera $d New York : Routledge, 2022 $z 9781003216179 $w (DLC) 2021059633 830 0 $a Routledge research in art museums and exhibitions. 941 $a 1 952 $l OVUX522 $d 20231117013911.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D98DB05096FD11ED8856CD373CECA4DBInitiate Another SILO Locator Search