The Locator -- [(subject = "Epic films")]

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03537aam a2200433 i 4500
001 67360D2AF11E11E79D0FC10F97128E48
003 SILO
005 20180104010254
008 160309t20172017nyuag    b    001 0 eng c
010    $a 2016010416
020    $a 1138915823
020    $a 9781138915824
020    $a 1138915831
020    $a 9781138915831
035    $a (OCoLC)945072522
040    $a ICU/DLC $b eng $e rda $c CGU $d DLC $d BDX $d YDXCP $d OCLCF $d WVU $d YDX $d YUS $d UIU $d PUL $d MUU $d OCLCQ $d SILO
042    $a pcc
050 00 $a ML2075 $b .M8757 2017
082 00 $a 781.5/42 $2 23
245 00 $a Music in epic film : $b listening to spectacle / $c edited by Stephen C. Meyer.
264  1 $a New York, NY ; $b Routledge, $c 2017.
300    $a xii, 244 pages : $b illustrations, music ; $c 24 cm.
490 1  $a Routledge music and screen media series
505 0  $a Branding the franchise : music, opening credits, and the (corporate) myth of origin / James Buhler -- Manufacturing the epic score : Hans Zimmer and the sounds of significance / Frank Lehman -- Topoi and intertextuality : narrative function in Hans Zimmer's and Lisa Gerrard's music to Gladiator / Joakim Tillman -- The politics of authenticity in Miklos Rozsa's score to El Cid / Stephen C. Meyer -- From authenticity to anachronism : pre-existing music and "epic Englishness" in Elizabeth and Master and commander / Alexandra Wilson -- Records, repertoire and rollerball : music and the auteur epic / Julie Hubbert -- "The epic and intimately human" : contemplating Tara's theme in Gone with the wind / Nathan Platte -- "We're the real countries" : songs as private musical territories in the epic romances Casablanca, Doctor Zhivago, and The English patient / Todd Decker -- Inverting the epic : the music of Ridley Scott's Kingdom of Heaven / Kirsten Yri -- The western as national epic : musical persona and narrative distance in High noon / Jordan Carmalt Stokes.
520    $a As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
504    $a Includes bibliographical references and index.
650  0 $a Motion picture music $x History and criticism.
650  0 $a Film composers.
650  0 $a Epic films.
650  7 $a Epic films. $2 fast $0 (OCoLC)fst00913693
650  7 $a Film composers. $2 fast $0 (OCoLC)fst01200344
650  7 $a Motion picture music. $2 fast $0 (OCoLC)fst01027201
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
700 1  $a Meyer, Stephen C., $d 1963- $e editor.
776 08 $i Online version: $t Music in epic film. $d New York, NY ; Abingdon, Oxon : Routledge, 2017 $z 9781315690025 $w (DLC)  2016013193
830  0 $a Routledge music and screen media series.
941    $a 1
952    $l OVUX522 $d 20191214021037.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=67360D2AF11E11E79D0FC10F97128E48

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