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03721aam a2200469 i 4500 001 F97CA2D8E55311E7AFB0C42A97128E48 003 SILO 005 20171220010225 008 160412t20162016enka e b 001 0 eng c 020 $a 0500239460 020 $a 9780500239469 035 $a (OCoLC)948183270 040 $a Nz $b eng $e rda $c NZWHC $d OCLCO $d OCLCQ $d UAB $d OCLCO $d OSU $d OCLCF $d OCLCO $d ERASA $d BDX $d YDXCP $d CDX $d OQX $d CHVBK $d OCLCO $d UX0 $d NUI $d UtOrBLW $d SILO 042 $a pcc 050 4 $a N71 $b .B673 2016 $0 http://id.loc.gov/authorities/classification/N 082 04 $a 757.4 $2 23 100 1 $a Borzello, Frances, $e author. $0 http://id.loc.gov/authorities/names/n86042939 245 10 $a Seeing ourselves : $b women's self-portraits / $c Frances Borzello. 250 $a Updated and revised edition. 264 1 $a London : $b Thames & Hudson, $c 2016. 300 $a 271 pages : $b illustrations (some color) ; $c 24 cm 500 $a Originally published : London : Thames & Hudson, 1998. 504 $a Includes bibliographical references and index. 520 8 $a This richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello's enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book. 505 00 $a Machine generated contents note: $g 6. $t feminist impact. $t In the beginning -- $g 2. $t Seventeenth Century -- $t new self-confidence -- $g 3. $t Eighteenth Century -- $t Professionals and amateurs -- $g 4. $t Nineteenth Century -- $t opening door -- $g 5. $t Twentieth Century -- $t Breaking taboos -- $g 6. $t Into the Future -- $t feminist impact. 650 0 $a Women artists. $0 http://id.loc.gov/authorities/subjects/sh85147447 650 0 $a Women artists $x Psychology. $0 http://id.loc.gov/authorities/subjects/sh2010118758 650 0 $a Women artists $x Portraits. 650 0 $a Self-perception in women. $0 http://id.loc.gov/authorities/subjects/sh93005737 650 0 $a Self-portraits. $0 http://id.loc.gov/authorities/subjects/sh85119780 650 7 $a Self-perception in women. $2 fast $0 (OCoLC)fst01111839 650 7 $a Self-portraits. $2 fast $0 (OCoLC)fst01111843 650 7 $a Women artists. $2 fast $0 (OCoLC)fst01177159 650 7 $a Women artists $x Psychology. $2 fast $0 (OCoLC)fst01177167 650 7 $a Bildnismalerei. $0 (DE-588)4145426-1 $2 gnd 650 7 $a KuÌnstlerin. $0 (DE-588)4033430-2 $2 gnd 650 7 $a Selbstbildnis. $0 (DE-588)4054394-8 $2 gnd 650 7 $a Frau. $0 (DE-588)4018202-2 $2 gnd 655 7 $a Portraits. $2 fast $0 http://id.worldcat.org/fast/1423831 $0 http://id.worldcat.org/fast/1423831 941 $a 1 952 $l OVUX522 $d 20231019021321.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F97CA2D8E55311E7AFB0C42A97128E48Initiate Another SILO Locator Search