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03637aam a2200553 i 4500 001 F5FCEDF2477411EC81CA9FE82DECA4DB 003 SILO 005 20211117010121 008 201121t20212021nju b 001 0 eng 010 $a 2020052283 020 $a 0813596211 020 $a 9780813596211 020 $a 081359622X 020 $a 9780813596228 035 $a (OCoLC)1226075534 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d YDX $d UKMGB $d YDX $d OCLCO $d NUI $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PN1992.8.F5 $b P67 2021 082 00 $a 791.45/750973 $2 23 100 1 $a Porst, Jennifer, $e author. 245 10 $a Broadcasting Hollywood : $b the struggle over feature films on early TV / $c Jennifer Porst. 264 1 $a New Brunswick : $b Rutgers University Press, $c [2021] 300 $a x, 236 pages ; $c 25 cm 520 $a "Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood's feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Systems of authority and evaluation -- Exhibition, audiences, and media consumption -- Contracts, rights, residuals, and labor -- Roy Rogers, Gene Autry, and the intervention of the courts -- Antitrust, market dominance, and emerging media -- Feature films make their way to television -- Conclusion: Disrupting a big market can be bumpy. 648 7 $a 1900-1999 $2 fast 650 0 $a Television broadcasting of films $z United States $x History $y 20th century. 650 0 $a Copyright $x Broadcasting rights $z United States. 650 0 $a License agreements $z United States. 650 0 $a Motion pictures $z United States $x Distribution. 650 0 $a Motion picture audiences $z United States. 650 0 $a Television viewers $z United States. 650 0 $a Motion picture industry $z United States $x History $y 20th century. 650 0 $a Television broadcasting $z United States $x History $y 20th century. 650 7 $a Copyright $x Broadcasting rights. $2 fast $0 (OCoLC)fst00878716 650 7 $a License agreements. $2 fast $0 (OCoLC)fst00998047 650 7 $a Motion picture audiences. $2 fast $0 (OCoLC)fst01027116 650 7 $a Motion picture industry. $2 fast $0 (OCoLC)fst01027150 650 7 $a Motion pictures $x Distribution. $2 fast $0 (OCoLC)fst01027315 650 7 $a Television broadcasting. $2 fast $0 (OCoLC)fst01146714 650 7 $a Television broadcasting of films. $2 fast $0 (OCoLC)fst01146782 650 7 $a Television viewers. $2 fast $0 (OCoLC)fst01147132 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 941 $a 1 952 $l OVUX522 $d 20231117014635.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F5FCEDF2477411EC81CA9FE82DECA4DBInitiate Another SILO Locator Search