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03746aam a2200397 i 4500 001 5E1CDBEE0B6411EAA467CE0D97128E48 003 SILO 005 20191120010135 008 171116s2019 enkag b 001 0 eng 010 $a 2017054707 020 $a 1107112710 020 $a 9781107112711 035 $a (OCoLC)1013962761 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ERASA $d UKMGB $d CHVBK $d OCLCO $d YDX $d OCLCO $d EYM $d TJC $d UtOrBLW $d SILO 042 $a pcc 050 00 $a ML3916 $b .W37 2019 $0 http://id.loc.gov/authorities/classification/M 082 00 $a 306.4/842213 $2 23 100 1 $a Watts, Richard J., $e author. $0 http://id.loc.gov/authorities/names/n83328025 245 10 $a Language, the singer and the song : $b the sociolinguistics of folk performance / $c Richard J. Watts, Franz Andres Morrissey. 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2019. 300 $a xvii, 372 pages ; $c 24 cm 504 $a Includes bibliographical references (pages 332-346) and index. 505 0 $a Introduction -- Prologue. Language and music -- Part I. Creating community and identity through song. "Breaking through" into performance ; The communality of folk song : co-performance and co-production ; Answering back : Rebels with and without a cause -- Part II. Variation in language and folk song. "The times they are a-changin" : Language change and song change ; Ideologies, authenticities and traditions ; "Insects caught in amber" : Preserving songs in print, transcript and recording -- Part III. Folk song performance and linguistics. Voices in the folk song ; The song : Text and entextualisation in performance ; Going out there and doing your thing ; Enregisterment through song : The performer's credibility -- Epilogue. Whiter folk song, whither sociolinguistics? -- Appendix : Overview of musical concepts. 520 8 $a The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community. -- $c Page [4] of cover. 650 0 $a Music $x Social aspects. $x Social aspects. 650 0 $a Music and language. $0 http://id.loc.gov/authorities/subjects/sh85088885 650 0 $a Folk songs $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008103908 650 7 $a Folk songs. $2 fast $0 (OCoLC)fst00929707 650 7 $a Music and language. $2 fast $0 (OCoLC)fst01030478 650 7 $a Folksong. $2 gnd 650 7 $a SaÌnger. $2 gnd 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 700 1 $a Morrissey, Franz Andres, $e author. $0 http://id.loc.gov/authorities/names/n2017068965 941 $a 1 952 $l OVUX522 $d 20231019014311.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=5E1CDBEE0B6411EAA467CE0D97128E48Initiate Another SILO Locator Search