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03551aam a2200409 i 4500 001 A7F15DFAFC8011EE9ABF7B513DECA4DB 003 SILO 005 20240417010124 008 230307s2023 ne a f 000 0 eng d 020 $a 9789463729529 020 $a 9463729526 035 $a (OCoLC)1405427408 040 $a CHBCC $b eng $e rda $c CHBCC $d HTV $d OCLCO $d SILO 050 4 $a ND623.P699 $b D69 2023 082 04 $a 709.945 100 1 $a Dow, Douglas N., $e author. 245 10 $a Bernardino Poccetti and the art of religious painting at the end of the Florentine Renaissance / $c Douglas Dow. 264 1 $a Amsterdam : $b Amsterdam University Press, $c 2023 300 $a 320 pages : $b illustrations (some color) ; $c 24 cm 490 0 $a Visual and Material Culture, 1300-1700 500 $a List of Illustrations List of Abbreviations Acknowledgments Introduction: 'Il primo huomo da dipingere in fresco, che sia in questi paesi': Bernardino Poccetti and the Historiography of Florentine Painting during the Late Renaissance Chapter One: 'Grandemente inclinato all'Arte del Disegno': Filippo Baldinucci's Biography of Bernardino Poccetti Chapter Two: 'Le prime cose lodevoli molto': Bernardino Poccetti's Early Work and the Frescoes from the Life of Saint Dominic in the Chiostro Grande, Santa Maria Novella Chapter Three: 'Locum ecclesiae designavit, quae Ioannis et uxoris pecunia extructa est': Bernardino Poccetti and the Decoration of the Canigiani Chapel in Santa Felicita Chapter Four: 'Miracula et alia id genus': Bernardino Poccetti's Frescoes in the Church of San Lorenzo at the Certosa del Galluzzo Chapter Five: 'L'inventore di dipingere tutte le muraglie della nostra chiesa': Bernardino Poccetti and the Sixteenth-Century Decoration of Santa Maria del Carmine Conclusion Bibliography Index. 520 8 $a By almost any measure Bernardino Barbatelli, called Poccetti, was a successful and sought after painter in late sixteenth-century Florence, but his works have remained largely overlooked. This study situates representative examples of his religious painting within their respective contexts to demonstrate how Poccetti and his patrons negotiated the increasingly fraught terrain of sacred painting in the period of religious reform. These case studies demonstrate how patrons ranging from the Dominicans to the Carthusians to prominent Florentine patricians relied on Poccetti's skill in creating compelling narratives that reflected current concerns within the Catholic world. In the process, Poccetti invoked an august Florentine tradition of fresco painting, shaping it to better address the demands placed on religious imagery at the end of the Renaissance. 600 10 $a Poccetti, Bernardino, $d 1548-1612 $x Criticism and interpretation. 650 0 $a Painting, Renaissance $z Florence. $z Florence. 650 0 $a Christian art and symbolism $z Florence $z Florence $y Renaissance, 1450-1600. 650 6 $a Peinture de la Renaissance $z Florence. $z Florence. $0 (CaQQLa)201-0169850 600 17 $a Poccetti, Bernardino, $d 1548-1612 $2 fast $0 (OCoLC)fst00251977 650 7 $a Art, Renaissance $2 fast $0 (OCoLC)fst00816786 650 7 $a Christian art and symbolism $x Renaissance $2 fast $0 (OCoLC)fst01710941 651 7 $a Italy $2 fast $0 (OCoLC)fst01204565 648 7 $a 1450-1600 $2 fast 655 7 $a History $2 fast $0 (OCoLC)fst01411628 776 08 $z 9789048550951 $i ebook 776 08 $i ebook version : $z 9789048550951 941 $a 1 952 $l OVUX522 $d 20240417025507.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A7F15DFAFC8011EE9ABF7B513DECA4DBInitiate Another SILO Locator Search