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03449aam a2200469 i 4500 001 5C39A590DCB911EC8436229451ECA4DB 003 SILO 005 20220526010039 008 210803t20222022ilua b 001 0 eng 010 $a 2021038212 020 $a 025208621X 020 $a 9780252086212 020 $a 0252044177 020 $a 9780252044175 035 $a (OCoLC)1263247388 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d PIT $d TDF $d UKMGB $d YDX $d BDX $d YDX $d OCLCO $d TJC $d SILO 042 $a pcc 043 $a a-cc--- 050 00 $a ML3917.C6 $b O89 2022 082 00 $a 780.951 $2 23 100 1 $a Ouyang, Lei, $e author. 245 10 $a Music as Mao's weapon : $b remembering the Cultural Revolution / $c Lei X. Ouyang. 264 1 $a Urbana : $b University of Illinois Press, $c [2022] 300 $a xvi, 198 pages : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references (pages 177-190) and index. 505 0 $a Researching the battlefield -- Music and politics -- Memories of the battlefield : "It's in your bones, it's in your blood" -- Music and childhood -- Memories of the battlefield : "Learning music to avoid going 'Up to the mountains and down to the countryside'" -- Music and memory -- Memories of the battlefield : "You hear these Songs and you are inspired" -- Conclusions -- Appendices. Brief historical context of the Cultural Revolution ; Sixty-five children's songs in New songs of the battlefield. 520 $a "China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time? Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism"-- $c Provided by publisher. 650 0 $a Music $x History $z China $x History $y 20th century. 651 0 $a China $x Music and the revolution. $y Cultural Revolution, 1966-1976 $x Music and the revolution. 650 0 $a Music and state $z China. 650 6 $a Musique $x Histoire $z Chine $x Histoire $y 20e siecle. 650 6 $a Musique $x Politique gouvernementale $z Chine. 650 7 $a Music and state. $2 fast $0 (OCoLC)fst01030489 650 7 $a Music $x Political aspects. $2 fast $0 (OCoLC)fst01030414 651 7 $a China. $2 fast $0 (OCoLC)fst01206073 648 7 $a 1900-1999 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Ouyang, Lei. $t Music as Mao's weapon $d Urbana : University of Illinois Press, 2021 $z 9780252053115 $w (DLC) 2021038213 941 $a 2 952 $l OVUX522 $d 20231117032230.0 952 $l PLAX964 $d 20230718100341.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=5C39A590DCB911EC8436229451ECA4DBInitiate Another SILO Locator Search