The Locator -- [(subject = "Holocaust Jewish 1939-1945 in art")]

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03025aam a2200337 i 4500
001 799BA7581DA411EBAAA0CA112BECA4DB
003 SILO
005 20201103011456
008 181121s2019    maua     b    000 0deng c
010    $a 2018054204
020    $a 1879985381
020    $a 9781879985384
035    $a (OCoLC)1077573949
040    $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCF $d YDX $d DLC $d OCLCO $d OCLCQ $d PUL $d UKMGB $d SILO
042    $a pcc
050 00 $a ND979 B27 L365 2019
100 1  $a Langer, Lawrence L. $e author.
245 10 $a Ner Ot : $b candles in the art of Samuel Bak / $c by Lawrence L. Langer.
264  1 $a Boston, Massachusetts : $b Pucker Art Publications, $c [2019]
300    $a 129 pages : $b color illustrations ; $c 29 cm
520    $a "Candles have a ceremonial history in Judaism where their lighting accompanies holy days and is a ritualistic remembrance of loved ones who have passed. Additionally, the Ner Tamid, or Eternal Light, perpetually burns in the synagogue to represent the constant presence of God. The significance of the candle falters and the divine light dims, however, in the shadows cast by murderous world wars and numerous genocidal campaigns. This leads us to ask: what ritual of memorialization can possibly befit those who died in this way? How do we address the destructive nature of flames, manifested in the Greek etymology of the word Holocaust, in which holos means "whole" and kaustos denotes "burn," and by which everything is reduced to ash? In his essay, Lawrence L. Langer guides us through the ritual of remembering the Holocaust through Samuel Bak's paintings. Langer's words explicate the historical, religious, and cultural narratives that inform the artwork. As Langer turns our sight into insight, he unpacks the dense visual imagery of each work, verbalizes the inquiries both overt and covert, and provides the context that scaffolds our attempts to find answers. Inhabitants of a surrealistic space, Bak's candles are abused, damaged, melting, lifeless, and bathed in the somber afterglow of profound sorrow. The cylindrical candles morph into tree trunks, logs, chimneys, columns, missiles and other projectiles, exposing the frequent disorder at the heart of the supposed orderly progression of history. Amidst the anguish of his paintings, Bak allows for the notion that life can rise anew. If his visual universe is not saturated with emblems of hope, it certainly does not fall victim to despair. There is an instinctive need to restore to the candle the memory of its sanctified role"-- $c Provided by publisher.
504    $a Included bibliographical references.
600 10 $a Bak, Samuel $x Criticism and interpretation.
650  0 $a Candles and lights (Judaism)
650  0 $a Holocaust, Jewish (1939-1945), in art.
650  0 $a Light in art.
600 17 $a Bak, Samuel. $2 fast $0 (OCoLC)fst00005040
941    $a 1
952    $l USUX851 $d 20210105041023.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=799BA7581DA411EBAAA0CA112BECA4DB
994    $a C0 $b IWA

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